205. oh well [parts 1+2]

Wherein Peter Green, main guitar man for the early Fleetwood Mac, lays down a blueprint for a blues rock that aims to move so far beyond the bounds of either blues or rock that a new name will probably be required – something that contains the fierce grit of the Mississippi Delta circa 1930, waters rising, levees about to overflow, but also the majestic sweep of a Ennio Morricone Spaghetti western soundtrack, that scene where the cold eyed killer looks into the mirror and sees something monstrous looking back. Which sadly, is what happened to Peter Green, sort of.  He got swallowed by the monster – the Green Manalishi he called it in another song. Some say it was just money, greed. Others that it was the devil himself. Either way, Mr. Green disappeared down his own nasty psychedelic wormhole, went mad for a while, got lost. As for Fleetwood Mac, they did what any proper blues outfit would do. They played on.

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294. The Big Gundown

“Wherein John Zorn, avant jazz classical jack master everything genius type, takes on a few of Ennio Morricone‘s soundtrack epics, succeeds in rearranging the molecules in my then psychedelicized brain, to entirely positive effect. Because it was 1985 and the world needed fracturing, eviscerating, disassembling, rearranging. And it got me seeing the movies again. The Big Gundown indeed.” (Philip Random)

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014. The Final Countdown*

Installment #14. of The Final Countdown aired Saturday-June-30-2018 (c/o CiTR.FM.101.9).

Tracks available on this Youtube playlist (somewhat inaccurate).

The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is over a year of radio if all goes to plan, and when has that ever happened?

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Installment #14 of The Final Countdown* went like this.

1031. Ennio Morricone – an Indian story
1030. Screaming Blue Messiahs – wild blue yonder
1029. Doors – soul kitchen
1028. REM – Cuyahoga
1027. Flatt + Scruggs – down in the flood
1026. Queen – someday one day
1025. Gordon Lightfoot – Don Quixote
1024. Flying Burrito Brothers – lazy day
1023. Alan Parsons Project – Dr Tarr + Professor Fether
1022. CloudDead – rifle eyes
1021. Pauline Easy – Billie Jean
1020. The Leisure Society – Cars
1019. Cookin’ with Kurt – soup du jour
1018. Holger Czukay – Dancing In Wide Circles
1017. Godley + Creme – Consequences [stampede + mobilization]
1016. Sun Ra – nuclear war
1015. Lovin’ Spoonful – day dream
1014. John Mayall – sitting in the rain
1013. Arthur Louis – knockin’ on heaven’s door
1012. Wall of Voodoo – on Interstate 15
1011. John Martyn – I’d rather be the devil
1010. Aphex Twin – analogue bubblebath
1009. Jenny Owen Youngs – Fuck Was I
1008. Sonic Youth – I’m Not There

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

 

967. call of the west

Wall of Voodoo at Vancouver’s Luv-A-Fair in 1983 remains one of the greatest live shows I’ve ever seen. I walked in knowing maybe two of their songs (including the Johnny Cash cover) and walked out a convert. But then lead guy Stan Ridgway quit, and though both he and the band would continue to release stuff, none of it would ever touch the electricity of what they had together. At least I still had the records, except they weren’t as good as the live item, with Call of the West a case in point. Whereas live it was an epic sort of west coast surf rawk film noir (with an Ennio Morricone edge), on record it was merely very good. Oh well.” (Philip Random)

WallofVoodoo-1983