“Three in a row from Sonic Youth’s Daydream Nation, the suite known as Trilogy. Because it’s that kind of album. Crucial for both the culture as a whole (I think), and me in particular (I know). Because there it was, late 1988, the Winter of Hate, things having fallen apart (it’s a long story). I’m flat on my back on the bedroom floor, my parents place (another long story), so-called grown man doing yet another season in hell, recovering from various injuries and afflictions (self-inflicted and otherwise), too spent for anything but this prolonged commitment to nothingness … which could only be filled it seems by the sprawl of one monster of an album. Which was perfect really. If you’re only going to have just one album at the end of 1988, hard rains a-falling (metaphorically and otherwise), it may as well be the four sides of music and noise inseparable known as Daydream Nation, reminding you that the biggest truths have no boundaries, the most important stories never quite add up, the best songs never quite hold together, always yearning for, grasping for, gunning for MORE … and thus they are defined as much by the chaos at their edges as the calm at their centres (or is the other way around?).
The Trilogy from Side Four gets nod here, because it’s the final climax of an album that’s full of them. Guy wanders the sprawl, gets high, likely something psychedelic because he’s truly seeing the wonder in things (The Wonder), but then comes the long slow descent, the long walk home. He runs into some jocks, gets his shit kicked, ends up fading into nothingness (Hyperstation). And then who knows what happens? Except shit erupts. Like a god damned top alcohol dragster tearing up the quarter mile, fumes so intense they cause a rare local breed of starling to go extinct. (Eliminator Jr) Life is a nuclear eruption. A chain reaction daydream that never ends. That’s my impression anyway. What’s yours?” (Philip Random)
The lead-off track from maybe the greatest album ever in the history of anything, Teenage Riot is where Sonic Youth get political, make their demands explicit as to what it’s going to take to get them the f*** out of bed and deliver the goods. A full-on teenage riot and nothing less. Which may be inappropriate, wrong even, but f*** is it fun to tear up Main Street, smash all the windows, not get caught! Which by the end of Teenage Riot is exactly what’s going on – Misters Moore and Renaldo annihilating frequencies with their magic guitars, smashing every window and door, setting all humanity free for a while. Even the adults. The rhythm section’s not half bad either.
The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is dozens of radio programs if all goes to plan, and when has that ever happened?
Installment #22 went like this.
877. Brian Eno + David Byrne – help me somebody
876. Nico – I’m not saying
875. Wilco – heavy metal drummer
874. Severed Heads – advertisement + power circles
873. Sunroof – Hero
872. Monkees – porpoise song
871. Add N To X – plug me in
870. Brian Eno – The Lion Sleeps Tonight
869. Miriam Makeba – Mbube (The Lion Sleeps)
868. Osamu Kitajima – benzaiten [reprise]
867. Assembly – never never
866. Sonic Youth – Providence
865. Flying Burrito Brothers – sing me back home
864. Julie London – yummy yummy yummy
863. Madonna – justify my love [the beast within]
862. Bim Sherman & Dub Syndicate – Can I be free from crying?
861. Johnny Cash – don’t think twice, it’s alright
860. Lindstrom & Prins Thomas – Horseback
859. Arto Lindsay – light moves away
858. Leonard Cohen – there is a war
Tracks available on this Youtube playlist (not exactly accurate).
“Silver Rocket may well be the perfect Sonic Youth nugget. On one level, it’s a ripping cool pop song about riding a silver rocket, I guess, or perhaps heroin. On another, it’s a metaphysical hand grenade that blows a gaping hole through the reality barrier into the next nineteen dimensions. And it accomplishes all of this in barely three minutes.” (Philip Random)
The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is over a year of radio if all goes to plan, and when has that ever happened?
Installment #14 of The Final Countdown* went like this.
1031. Ennio Morricone – an Indian story
1030. Screaming Blue Messiahs – wild blue yonder
1029. Doors – soul kitchen
1028. REM – Cuyahoga
1027. Flatt + Scruggs – down in the flood
1026. Queen – someday one day
1025. Gordon Lightfoot – Don Quixote
1024. Flying Burrito Brothers – lazy day
1023. Alan Parsons Project – Dr Tarr + Professor Fether
1022. CloudDead – rifle eyes
1021. Pauline Easy – Billie Jean
1020. The Leisure Society – Cars
1019. Cookin’ with Kurt – soup du jour
1018. Holger Czukay – Dancing In Wide Circles
1017. Godley + Creme – Consequences [stampede + mobilization]
1016. Sun Ra – nuclear war
1015. Lovin’ Spoonful – day dream
1014. John Mayall – sitting in the rain
1013. Arthur Louis – knockin’ on heaven’s door
1012. Wall of Voodoo – on Interstate 15
1011. John Martyn – I’d rather be the devil
1010. Aphex Twin – analogue bubblebath
1009. Jenny Owen Youngs – Fuck Was I
1008. Sonic Youth – I’m Not There
Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.