“Frankie Teardrop is probably the one track on this list that I’ve listened to the least, because who f***ing needs it on repeat? Yet we do need such stuff sometimes. Because violence is in our nature and it’s seldom been so viscerally expressed as it is here. No great surprise that it came out of 1977, the year Punk properly broke. Not that Suicide were punk. They were their own genre altogether. And political as hell if only for the full on howl of Frankie Teardrop, young man with a family, just trying to survive, but he’s not gonna make it, he can’t make the payments … and don’t fool yourself, we all know Frankies, perhaps as near as the closest mirror.” (Philip Random)
One of those comparatively early Alice Cooper cuts that puts the lie to it all being just kids’ comic book horror stuff, particularly the bit about being a killer, a clown, a priest who’s gone to town. That’s poetry. And all the more exquisite given the song that’s built around it, dark and moody, and more than just a little evil. From 1971’s Killer, the one that (back in the day) all the older kids said was Alice’s best album, way better than School’s Out. They were right.
Synergy was one man, a guy named Larry Fast who, when he wasn’t working with the likes of Rick Wakeman, Peter Gabriel, Nektar, FM, was inventing the future via his devotion to synthesizer technologies. 1978’s Cords is one of those albums that still manages to sound rather ahead of things. Peter Gabriel gets credit for helping with some of the titles, and none better than Disruption in World Communication. Because yes, this is exactly what it ends up sounding like when we humans cease communicating with each other. Genuinely scary stuff.