74. floating

“Because there had to be at least one endless and eternal Berlin School mid-70s analog-synth epic on this list, and nobody ever did those better than Klaus Schulze. He started with Tangerine Dream, co-founded Ash Ra Tempel, but it took going solo (and various evolutions in synth and sequencing technology) to truly set things into infinite motion. Such that I might be saved (sort of) twenty years later – the weight of the whole damned universe driving me down for as many reasons as there are stars in the sky. I finally end up on the floor, flattened with worry and doom … except somehow or other Floating was playing. Did I put it on, or did it just happen? Either way, it did as advertised, got me floating, rising outside my miserable self, noticing miracles like the world outside my window, a beautiful day with birds singing, a breeze blowing, the sun a warm and benign 93 million mile wonder, with all the vastness and precision of eternity beyond. What was I even worried about?” (Philip Random)

937. disruption in world communication

Synergy was one man, a guy named Larry Fast who, when he wasn’t working with the likes of Rick Wakeman, Peter Gabriel, Nektar, FM, was inventing the future via his devotion to synthesizer technologies. 1978’s Cords is one of those albums that still manages to sound rather ahead of things. Peter Gabriel gets credit for helping with some of the titles, and none better than Disruption in World Communication. Because yes, this is exactly what it ends up sounding like when we humans cease communicating with each other. Genuinely scary stuff.