Tonight’s the Night is oft thought of as Neil Young‘s death album, and the deepest, darkest depths of the so-called Ditch Trilogy. Stark cover, mostly black. Stark songs pulling no punches about various dead friends, and in the case of Tired Eyes, a friend who left death in his wake, got caught up in an ugly drug deal, ended up in prison for a long time. The damage done.
“Derek and the Dominoes‘ only studio album was a 1970 release, but it didn’t cross my teeny bop consciousness until summer 1972 when they finally got around to releasing Layla as a radio single. Which led to my friend Malcolm getting the album, which mostly went way over our heads – all that loose jamming (and the drugging behind it) being more for the older kids. But I’d eventually come back around to it maybe twenty-five years later, particularly stuff like Key To The Highway where misters Eric Clapton (already well into a heroin addiction), Greg Allman (due for a fatal motorcycle accident), Jim Gordon (fated to go mad and murder his mother) and essential others sort of lay back and go long, delivering the news of what is to be genuinely free (you’ve got the key, you’ve got a vehicle, you’ve got an open road – what more could want?) for almost ten minutes anyway.” (Philip Random)
1969 ended badly for the Rolling Stones at a free concert in Northern California, a place called Altamont — a man murdered directly in front of the stage. But that was only after Brian Jones got booted from the band he’d founded, then drowned in his swimming pool, or was he murdered, too? And meanwhile, Keith Richard just kept slipping deeper and deeper into the fool’s kingdom known as heroin. And yet the Stones still found time to record Let It Bleed, maybe their single greatest slab of vinyl, with Monkey Man a track that managed to not get played to death on commercial radio. Too bad, too ugly, too good.