389. the beauty of time is that it’s snowing [psychedelic B.B.]

This one’s found toward the end of side one of the first Steve Miller Band album which sort of stumbled out of freak scene San Francisco at a time when nobody at the business end of things really knew how to handle all the psychedelic weirdness, so they just got out of the way. Thank all gods for that. Because there are few better examples anywhere of just how delirious things were in those days. Songs broke down, evaporated into seagulls and drones, found some bluesy B.B. King riff, evolved into profound and visionary choruses, ended up getting titles that had nothing to do with anything you’d actually heard. Maybe you had to be there, but maybe we all were, in our way, and still are, we children of that madly accelerated past’s glowing future.

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795. ring of fire

“I discovered Eric Burdon + The Animals‘ entirely OK take on Johnny Clash’s classic at least thirty years after the fact. But man, if the timing wasn’t perfect. Mid-1990s. Drinking too much, drugging too much, stumbling through some mid-life blues, it seems I was falling into my own ring of non-heavenly fire. But suddenly there was Mr. Burdon to not so much catch me as welcome me, sounding like a Tom Jones that was actually cool and experienced enough to get what the crazy psychedelic ’60s thing was all about – something to do with saving the entire universe by letting one’s freak flag fly, even if that meant going personally to hell in process. A man’s gotta do what a man’s gotta do.” (Philip Random)

955. fresh garbage

Spirit never did all the great things that were expected of them in the beginning. Emerging from from the haze of southern Californian at the moment when EVERYTHING was coming in psychedelic colours, with a teenage guitar player named Randy California who was so hot Jimi Hendrix made no secret that he wanted him in The Experience – how could they not someday rule the world?  Probably something to do with drugs and the general excesses of the time. Fresh Garbage, which comes from their first album, speaks of environmental concerns and suggests all kinds of groovy, pop smart possibilities. Led Zeppelin covered it before all those other problems.

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