319. dogs

Dogs is the epic Pink Floyd track that you couldn’t put on when you and your high school friends all got high. You’d get maybe three minutes in and some idiot would say, ‘Let’s hear side one of Dark Side instead. It’s so cool when all those clocks go off.’ I came to really hate Dark Side because of those morons. Still do (sort of), or maybe I’m just allergic to it. I have none of that trouble with Dogs and its withering 17 minute rip into all things corporate, capitalist, evil. And the thing is, it found eighteen year old me at a pivotal moment, forced a consciousness that I’d been flirting with anyway. Something to do with just saying NO to every greed and conformist based assumption I’d been fed by every parent, teacher, coach, priest, expert I’d ever encountered. They’re all wrong, it shouted. Do what they say and you’re already dead, dragged down by a stone. Or as my friend Motron put it, Dogs is punk rock on acid, then slowed way down … but in a good way.” (PR)

(photo: Phillipe Gras)

764. pigs [three different ones]

Speaking of Pink Floyd, come 1977, they’d become the defacto poster children for all that pompous, bloated, overblown and wrong with the so-called Prog Rock that Punk was supposed to be annihilating. Which made the album Animals a source of much confusion, because it was so full of uncompromising bile and rage, it would’ve been punk rock if the songs weren’t so long. Pigs gets singled out here for the sheer violence of the instrumental parts, like the worst of dreams. You wake up to air raid sirens. You look skyward into the night, catch a glimpse of a pig the size of a football field, with red laser eyes, and they’re fixed on you. Welcome to 1977. The future looked grim.

(photo: Erich Biruk)

795. ring of fire

“I discovered Eric Burdon + The Animals‘ entirely OK take on Johnny Clash’s classic at least thirty years after the fact. But man, if the timing wasn’t perfect. Mid-1990s. Drinking too much, drugging too much, stumbling through some mid-life blues, it seems I was falling into my own ring of non-heavenly fire. But suddenly there was Mr. Burdon to not so much catch me as welcome me, sounding like a Tom Jones that was actually cool and experienced enough to get what the crazy psychedelic ’60s thing was all about – something to do with saving the entire universe by letting one’s freak flag fly, even if that meant going personally to hell in process. A man’s gotta do what a man’s gotta do.” (Philip Random)