105. ballrooms of Mars

“It’s easy to file T-Rex away as a glammed up (and out) pop monster whose singles absolutely nailed the zeitgeist for a year or three in the early 1970s, and they certainly did all that (in Britain anyway). But main man Marc Bolan could also just lay down a brilliant song – poetic, psychedelic, vaguely surreal, rather like the times, but also timeless, with Ballroom Of Mars (found on 1972’s Slider) exhibit A in this regard. Because that’s how I found it, at least a decade after the fact, wasting a day, drinking red wine so cheap the only way to make it palatable was to pour it over ice, maybe add a touch of something sweet. But the sun was shining and the company was good and … holy shit, who is this? It’s T-Rex, of course, gripped in the arms of the changeless madman. It means something.” (Philip Random)

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702. Buick MacKane

“We were arguing recently. Motron and myself. What’s the essential T-Rex album? I was on the side of 1971’s Electric Warrior. He wasn’t budging from the next one, 1972’s Slider. My argument was simple enough. NOTHING could ever top Bang A Gong, heard by these ears a million times and they’re still not tired. He countered with Buick MacKane. ‘Heavy and wild, and a girl named Buick!?!  Did her parents call her that? Or was it a nick-name? And if so, where did it come from? I don’t want to know the real answer. The song is answer enough.’ We stopped arguing, drank more Scotch.” (Philip Random)