“When Elvis (aka The King) died in 1977, John Lennon was smugly heard to observe that he’d already been been dead for almost twenty years — ever since he joined the army back in 1958. But I give him another ten years, to 1968 and the big deal comeback TV special on NBC. Martin Luther King and Bobby Kennedy had just been shot, the Vietnam war had officially gone to hell, the Beatles hadn’t played live for years. But Elvis wasn’t worried. He had a secret weapon for the show’s finale, a brand new song written by a guy named Earl Brown called If I Can Dream. ‘I’m never going to sing another song I don’t believe in,’ said Elvis when he first heard it, ‘I’m never going to make another movie I don’t believe in.’ And yeah, Elvis did deliver on NBC, a performance that reached deep through the strange vacuum of the cathode ray tube and touched the hopeful soul of all humanity, maybe even saved the world. But then he proceeded to eat doughnuts, sing awful songs, make worse movies, and finally died nine years later, alone, sitting on a toilet. Poor guy. The King of Need, the Residents called him.” (Philip Random)
“I believe I’ve covered this ground already. Paul McCartney’s post-Beatles stuff has only ever really mattered to me when he’s, to some degree, working off or in response to his old band mate John Lennon. In the case of Too Many People, that means lobbing a pissed off open letter at Beatle-John’s perhaps dubious Power-to-the-People sympathies of the moment. Because, ummm, well there’s too many of them — people that is, happy to grab a handout (Paul never was much for nailing it lyrically). But what matters most is the track has serious bite, Paul the nice Beatle having not yet lost all of his carnivore tendencies, in spite of the vegetarianism.” (Philip Random)
“Patrick Gallagher was my life’s first full-on Beatles fan. Every Christmas, he’d get a new Beatles album. In 1968, that meant the White Album, two records exploring all kinds of extremes, most of them miles over our tiny heads (his ten years old, mine nine). But we liked the monkey song. What kid wouldn’t like a monkey song? Even if it turned out to have nothing to do with monkeys at all, but was John Lennon’s take on the great and faultless Maharishi being a bit of a horndog, trying to get his hands on Mia Farrow’s ass, and how this didn’t seem to fit the man’s intimations of higher wisdom and humanity. Also, maybe heroin.” (Philip Random)
“Found on Wings’ 1973 album, Band on the Run, Let Me Roll It has been tagged by some as a Paul McCartney attack on John Lennon, part of an ongoing musical feud that stretched back to before the Beatles even split. But to my ears, it sounds more like an homage, raw and to the point (whatever the point is), and maybe the best track from the best thing he ever did post The Beatles.” (Philip Random)
“The Thin White Duke (aka David Bowie, aka David Jones) at the point of pitching into thinnest, whitest, most cocaine psychotic point in his career, takes a seemingly careless swipe at John Lennon‘s psychedelic hymn to transcendence, eternity, higher meaning. And at first, it really is a sloppy mess, a blasphemy even, but then something very cool starts happening. The memory is of being drunk, maybe twenty-one, singing my head off to it while very alone, and feeling somehow saved. I think I was driving at the time, but apparently I made it home, or wherever the hell I was going.” (Philip Random)
“A smoothly apocalyptic little ditty from that latter part of Harry Nilsson‘s career when folks had pretty much written him off – all that boozing and drugging and hanging with John Lennon (among notable others) having blown his once beautiful voice to smithereens. And he was wrong about the future, too, how we were running out of air, and oceans, and pills and trains of thought even. But for whatever reason, I do like the song. Because, paradoxically, it gives me hope. Because if it didn’t happen in 1975, then why’s it going to suddenly happen now? Or something like that.” (Philip Random)
The Solid Time of Change has been our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we’ve tried to begin to do justice to a strange and ambitious time indeed, musically speaking.
The final stage of the journey went as follows:
Yes – And You and I
King Crimson – Court of the Crimson King
Genesis – Supper’s Ready
King Crimons – Starless
Beatles – A Day in the Life
Yes – Close to the Edge
If you’re late discovering all of this and wish to start at the beginning …
Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page. We have no clear plan for what shall happen next beyond more superlative noise in some form or other …
Taste, straight outa Cork, are one of those bands that genuinely should’ve conquered the world way back when. They had the songs, the presence, the power, even the likes of John Lennon and Eric Clapton singing their praises. But for whatever reason, it didn’t happen. We got two albums of taught, tough blues based r’n’r and then it was breakup time. Main man Rory Gallagher took off on a prolonged and committed solo career that only really stopped when his liver finally failed. And of the other two, not much more was ever heard.
The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.
Part Forty-Six of the journey went as follows (38-29):
Donovan – hurdy gurdy man
Aphrodite’s Child – the four horsemen
Aphrodite’s Child – all the seats were occupied
Mothers of Invention – brown shoes don’t make it
Beatles – I am the Walrus
Genesis – dancing with the moonlit knight
Van Morrison – astral weeks
Gentle Giant – knots
King Crimson – 21st Century schizoid man
Mike Oldfield – Ommadawn [part 1]
Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook page.