74. floating

“Because there had to be at least one endless and eternal Berlin School mid-70s analog-synth epic on this list, and nobody ever did those better than Klaus Schulze. He started with Tangerine Dream, co-founded Ash Ra Tempel, but it took going solo (and various evolutions in synth and sequencing technology) to truly set things into infinite motion. Such that I might be saved (sort of) twenty years later – the weight of the whole damned universe driving me down for as many reasons as there are stars in the sky. I finally end up on the floor, flattened with worry and doom … except somehow or other Floating was playing. Did I put it on, or did it just happen? Either way, it did as advertised, got me floating, rising outside my miserable self, noticing miracles like the world outside my window, a beautiful day with birds singing, a breeze blowing, the sun a warm and benign 93 million mile wonder, with all the vastness and precision of eternity beyond. What was I even worried about?” (Philip Random)

164. home computer

“I guess you could say this strange age we still find ourselves in officially landed with Kraftwerk in 1981 — everyday people owning artificial brains, keeping them in their homes next to the TV maybe, playing games on them, writing with them, making music. Not that I was paying it all much attention in 1981. I was mostly confused in 1981, or more to the point I was fighting confusion, because I’m still confused. I just gave up the fight a long, long time ago. Which gets us back to Kraftwerk, Computer World. What an album! Sounded exactly like the future that we all had coming, ready or not. And I guess I was. Ready, that is. In spite of all the confusion.” (Philip Random)


(photo: Kevin Komoda)

166. perfect kiss

“I saw New Order twice in what was supposed to be their early 80s prime and they tanked both times. As near as I could tell, it was tech issues, all those drum machines and sequencers NOT synching up with the various human factors (the singer, the songs). But man, did they hit sublime heights in the recording studio! Proof, I guess, that sometimes a new form is best before it’s fully formed, the various clichés established – the form in question here being techno (or whatever you want to call it) when it was still allowed to have genuine human factors in the mix, pushing the machines in directions they might otherwise have chosen not to go. In terms of world breaking singles, Blue Monday‘s the obvious example but everybody’s already heard that a lot. Perfect Kiss on the other hand has remained comparatively obscure, mainly I suspect because it’s never in a rush, but rather plays a long cool game (exquisitely captured in its official video), saving most of its glory for its second half. A sudden break and then a slow build to that bass guitar, that profoundly beautiful bass guitar (speaking of genuine human factors). No wonder there’s a car crash at the end.” (Philip Random)


(image source)