It’s 1981 and, after a seven year hiatus, Robert Fripp has decided to reboot the monster known as King Crimson. The new album is called Discipline and it’s clear from the opening seconds of the first track Elephant Talk that it’s all for the good. Tight and modern as the album title suggests, but also dangerous and beautiful in a primal, wild animal sort of way. Special thanks to new guy Adrian Belew‘s guitar athletics. And his vocals aren’t bad either. Not exactly rapping on Elephant Talk. Not singing either. Just arguing, agreeing, babbling, bantering, ballyhooing, chattering, chit-chatting, diatribing … and so on. Which is rather what the world sounded like in those days. As it still does.
It’s 1981 and King Crimson main man Robert Fripp has reformed the band (after better part of seven years in the wilderness) with a whole new sound and Discipline, and the result is thundering (to put it mildly). Thela Hun Gingeet translates as Heat In The Jungle and it concerns an experience that Adrian Belew (the new guy) had while out for a walk with a tape recorder in the still rather mean streets of NYC. Word is, it actually caused stereo systems to catch fire back in the day.
As the story goes, Robert Fripp shut down the original King Crimson in 1974, claiming an overall disgust with the way the music industry world was going in those days. Of course, it could be argued that was version seven anyway, so many members having already come and gone from the Crimson court since 1969. But the intervening silence was inarguable. Nothing until 1981 when a fresh line-up kicked into gear with a whole new Discipline, which was maybe starting to lose some of its freshness come 1984’s Three of a Perfect Pair. But not on Side Two. Not Industry. That was what the world actually sounded like in 1984. Everything grinding, droning, hissing, giving off toxic vapors, finally erupting with savage urgency.