700. exposure

Exposure is a song (for lack of a better word) that Peter Gabriel and Robert Fripp conceived for Gabriel’s rather unsettled second album. Bleak, abrasive, creepy, prophetic – it was determined (it seems) to drive a wedge between what each had been up to in the past with their previous outfits, and the brave new future on the verge of boiling over as the 1980s dawned. Then, to drive the point home, Fripp made it the title track of his 1979 debut solo album, although now a different singer (a woman named Terre Roche) was tearing up the atmosphere, taking things to the point of genuine pain. Because, to quote Mr. Fripp, ” … the old world, characterized by large, unwieldy and vampiric organizations, was dead.” And what did the new one sound like? Small, independent, mobile, intelligent. And up for a fight, no question.

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701. wheels of confusion

“The official Black Sabbath history lesson regarding Vol.4 seems to go something like this: after three albums inventing and defining what would eventually come to be the core of heavy metal, it was time for the band to expand their sound, roll with the progressive changes of the moment, get even bigger. But for me, thirteen when Vol.4 hit, catching random pieces on late night radio, it was just this deeply heavy stuff that seemed to capture everything that was weird and wrong with the world, but also kind of cool. Wheels of Confusion indeed, crushing anything that got in their way.” (Philip Random)

44. The Solid Time Of Change

Installment #44 of the Solid Time of Change aired on Saturday July-15-2017 (c/o CiTR.FM.101.9).

Podcast (Solid Time begins a few minutes in). Youtube playlist (not entirely accurate).

The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.

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Part Forty-Four of the journey went as follows:

  1. Alice Cooper – halo of flies
  2. David Bowie – sweet thing
  3. David Bowie – candidate
  4. David Bowie – sweet thing [reprise]
  5. Yes – Siberian Khatru
  6. Jethro Tull – Passion Play [edit]
  7. Emerson Lake + Palmer – Toccata [edit]
  8. Yes – starship trooper
  9. Robert Fripp – water music
  10. Robert Fripp [with Peter Gabriel] – here comes the flood

Fresh episodes typically air every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9. However, Randophonic will be taking a break from new programming for a while starting next week (July-29). Our Facebook page will stay active.

702. Buick MacKane

“We were arguing recently. Motron and myself. What’s the essential T-Rex album? I was on the side of 1971’s Electric Warrior. He wasn’t budging from the next one, 1972’s Slider. My argument was simple enough. NOTHING could ever top Bang A Gong, heard by these ears a million times and they’re still not tired. He countered with Buick MacKane. ‘Heavy and wild, and a girl named Buick!?!  Did her parents call her that? Or was it a nick-name? And if so, where did it come from? I don’t want to know the real answer. The song is answer enough.’ We stopped arguing, drank more Scotch.” (Philip Random)

T-Rex-1972

 

 

703. Strasse Nach Asien

It’s 1979. The 1960s are long gone. Get over it. Unless you’re Embryo (German hippies with hot musical chops), in which case, you pile into a bus with a film crew and a load of recording gear and go further, go east, across Persia, Afghanistan, down the sub-continent into India, mix it up with masters and untouchables, deliver the ancient news. There’s even a movie about it.

(image source)

704. reverse lion + downtown samba

Two tracks that flow together as one in Philip Random‘s mind. “It always bugs me when people call Yello synth-pop. Yeah, they have synths and they’re not afraid to pop, but there’s so much more going on, with their first album Solid Pleasure a solid clue as what it was all about. It was about everything – from drones to sambas to just pure out there techno-pleasures. I had a drummer friend who’d throw side-one onto the turntable and just pound away to it. He said it was all there, everything he could ever want from music. Ten years later, he was a deadhead, but that’s another chapter.” (Philip Random)

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