“There is absolutely nothing wrong with the original 1971 studio recording of Yes’s Perpetual Change. It just doesn’t go as far as strong as gobsmackingly wow!!! as the 1972 live recording that showed up on the triple live set Yessongs. Because they really do set the atmosphere on fire here, one of the last tracks ever recorded with drummer Bill Bruford, so yeah, the classic Yes lineup (my version of it anyway), which does need to be raved about if only for that point maybe halfway through Perpetual Change where the band are effectively playing two completely different songs at the same insane time, and it works, finally blowing off into a feedback overload that quickly segues into a Jon Anderson vocal harmony, and then BAM!!! into an extended outro, the tightest band on the planet at the time (seriously, even Led Zeppelin had to be looking over their shoulders in 1972) bouncing back and forth from improvised bits to insanely abrupt changes, on and on, higher and deeper until the only real flaw, which is the overextended drum solo (not bad, just not necessary like pretty much every other 1970s drum solo). As a musician friend once put it, Perpetual Change is the secret to everything that was great about Yes, because they were perpetual change (up until around 1975 anyway), not just evolving from album to album, but within the songs themselves. Everything was possible and they had the smarts (and the chops) to make it so.”
“Yes covered this on one of their first albums, had some big widescreen fun with it. But Richie Havens‘ original is rawer, cooler, better. And it felt more or less perfectly in sync with my times when I finally found it, twenty years after the face, 1998, a freebie at the dog end of a yard sale. Decades may pass but there’s still no opportunity necessary, no experience required. Whatever that even means.” (Philip Random)
The forced marriage in 1980 of prog-rock dinosaurs Yes and earworm popsters The Buggles was a strange thing that should not have worked. And maybe it didn’t, because they only ever released one album (which was credited to Yes, but they should’ve called themselves something else, because any band called Yes without Jon Anderson involved just feels very wrong, like a Beatles without John Lennon). But all that said, Drama (the album) can’t just be dismissed, if only for the possible future it speaks of that never happened – a musical decade that managed to both embrace the cool new synthetic pop options and the recent powerhouse progressive past. Like an odd sci-fi movie that only you remember, seen just once late at night on one of those scrambled Pay TV channels. Maybe Tuesday Weld was in it.
The Final Countdown* is our longest, most random and (if we’re doing it right) relevant countdown yet. Which doesn’t mean we’re one hundred percent sure what it’s all about – just the end of result of a long and convoluted process that finally evolved into something halfway tangible by February 2018. The 1297 Greatest Records of All Time (right now right here), if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.
Installment #3 of The Final Countdown* went like this:
1255. Avalanches – radio
1254. De La Soul – Me Myself + I (Badmarsh + Shri remix)
1253. The Members – the model
1252. Ohio Players – who’d she coo?
1251. Traffic- medicated goo
1250. Beatles- I’m looking through you
1249. Maggie Bell – I saw him standing there
1248. Wings – wino junko
1247. Pere Ubu – slow walking daddy
1246. Prince Charles + the City Beat Band – move your feet to the beat
1245. David Pritchard – the evil ogre interlude
1244. TV on the Radio- heroes
1243. Mr. David Viner- should I stay or should I go?
1242. Kraftwerk – ruckzuck
1241. Peggy Lee – something strange
1240. Yes – a venture
1239. Bachman Turner Overdrive – blue collar
1238. Ian + Sylvia – some kind of fool
1237. Lalo Schifrin – Dirty Harry title theme
1236. Sir Douglas Quintet (+2) – whole lotta peace of mind
1235. Spirit – aren’t you glad?
Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.
“I remember hearing Gates of Delirium get played on commercial radio when it was new, all twenty-two minutes of it. I remember my fifteen year old jaw dropping. It would’ve been late 1974, maybe 1975. Little did I realize that an era was fast ending – that very soon the culture would have little use for bands like Yes spreading their vast and cosmic wings, unleashing dense and intense and impossibly beautiful side long epics about mystical warriors in mythical lands busting through great gates of delirium. Or whatever it was actually about. It was definitely about war, burning children’s laughter on to hell. I remember a few years later, a musician friend saying, ‘But it’s really about everything. That’s the problem with Yes. Their songs aren’t really about anything. Just everything. But f***, those guys can play.'” (Philip Random)
The Solid Time of Change has been our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we’ve tried to begin to do justice to a strange and ambitious time indeed, musically speaking.
The final stage of the journey went as follows:
Yes – And You and I
King Crimson – Court of the Crimson King
Genesis – Supper’s Ready
King Crimons – Starless
Beatles – A Day in the Life
Yes – Close to the Edge
If you’re late discovering all of this and wish to start at the beginning …
Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page. We have no clear plan for what shall happen next beyond more superlative noise in some form or other …
The Solid Time of Change has been our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we’ve hoped to do justice to a strange and ambitious time indeed, musically speaking.
Part Forty-Nine of the journey (the second to last) went as follows:
Yes – perpetual change
Genesis – the waiting room
Genesis – anyway
Genesis – here comes the supernatural anesthetist
Genesis – the lamia
Jethro Tull – Thick as a Brick
The final episode of the Solid Time of Change airs Saturday, October-21, starting at 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook page.
The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.
Part Forty-Seven of the journey went as follows (selections 28-23):
King Crimson – Red
Genesis – the carpet crawlers
Genesis – Firth of Fifth
Yes – The Revealing Science of God
Yes – The Gates of Delirium
Pink Floyd – shine on you crazy diamond [I-IX]
Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook page.
It’s hard to put in context just how hot the band known as Yes were come 1972’s Close to the Edge, except just to say that a song as wired, as wild, as complex, as challenging, as virtuous as Siberian Khatru was pretty much required listening for anyone who was even half-serious about staying in touch with the zeitgeist. “I know where Siberia is. I have no idea what a Khatru is. Except to say it must have something to do with reaching for but not quite grasping the essence of all our striving, our yearning, our dreams – the Grail itself, holy and unfathomable. But careful way out there, you don’t want to fall off. The edge, that is.” (Philip Random)