Category Archives: All Vinyl Apocalypse

1,111 greatest records you probably haven’t already heard

140. the four horsemen

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Aphrodite’s Child being a Greek psyche-prog outfit who didn’t seem to recognize a boundary between sweetest syrup and the hottest fires of hell, musically speaking. It was all just part of the same grand feast. At least, that’s how it feels on 666, their third and biggest and most extreme album, and their most evil, some might argue – the four-sided concept being no less than a musical adaptation of the final chapter of the Holy Bible, the Book of Revelation. With the Four Horsemen being the closest any single track comes to pulling everything together into a single, cohesive (almost) radio friendly unit shifter, the Lamb having opened the first seal, the visions thus unleashed.

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141. soul fire

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https://www.rollingstone.com/music/music-news/reggaes-mad-scientist-65011/

“In which Lee Scratch Perry (aka Rainford Hugh Perry), the maddest mix-doctor of them all, nails us with a powerful ember of soul fire ††that manages to be equal parts easy and strange. Because it’s roots reggae (always an easy groove) and it concerns the human soul (always strange). Doesn’t matter if you’re in feverishly hot Trenchtown, Jamaica, or just some pointless suburb at the north-western edge of the crumbling civilization known as Babylon. It’s all humanity if you drill deep enough.” (Philip Random)

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142. big sky [meteorological mix]

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“I think of remixes as mostly a 1980s thing. Certainly, that’s when I first started noticing them. And the meteorological remix of Kate Bush‘s Big Sky has to rate as one of the very best, from any decade. A perfectly fine track from a perfectly excellent album, expanded, explored, ultimately rendered into a true force of nature by the time the big drums come thundering in toward the end. I don’t know if I ever heard this in a club, but I sure as hell drove my car to it a lot – real open highway stuff, early morning, no traffic, just the speed of life, with big clouds in the distance, threatening.” (Philip Random)

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143. I wanna be adored

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“I don’t do regrets. But that said, damn, it would’ve been cool to be born maybe fifteen years later, so that I would have still been young and fabulously confused when the Stone Roses hit with I Wanna Be Adored. Yeah, it’s narcissistic, absurd even, but it’s also true, painting a picture of what it feels like to be riding a certain wave, high and immortal, seeing all the world in such a way that you know it also sees you, beautiful and true, caught by the sun, throwing rainbows as you go … with unicorns glimpsed grazing in the distance. And oh yeah, what a band! What an album ! Maybe the best†† debut ever†††.” (Philip Random)

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144. don’t be denied

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There’s a lot of autobiography in Neil Young’s discography, with Don’t Be Denied (found on 1973’s Time Fades Away, the deliberately raw follow up to the worldwide mega hit Harvest) particularly loaded in that regard. It concerns a weird kid from somewhere north of Toronto whose parents split up and he moves with his mom to a town called Winnipeg at the wrong age, pays the price in schoolyard beatings, etc. But to paraphrase an old German, that which does not destroy you only increases your will to pick up an electric guitar and not ever be denied again.

(photo: Joel Bernstein)

145. a touching display

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Wire’s 154, released in 1979, has been hard to ignore with this list, being one of those albums that helped invent the future, gave birth to all manner of sounds and textures that would come to define the decade known as the 1980s, which is now ancient history, of course. But 154 continues to stand up, songs usually as sharp and short as they are lyrically obtuse. Though A Touching Display goes the other way with a vengeance – an epic and passionate display of song as weapon, particularly as things erupt past the midpoint, like a bomber the size of a football stadium off to deliver a payload that would destroy the known world. And it did.

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