14. reSEARCH

Voodoo + Fish, installment #14 of The Research Series aired in July-2018 on CiTR.FM.101.9.

The fourteenth of a planned forty-nine movies (without pictures), each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

reSEARCH-014

14. Voodoo + Fish

T-Rex – cosmic dancer
Sugarloaf – chest fever [prelude]
Manfred Mann’s Earth Band – crossfade
Moebius Plank + Neumeir – speed display
Agitation Free – Sahara City
Riuchi Sakamoto – kachakuchanee
Colin Newman – fish-9
Colin Newman – fish-3
Clinic – Voodoo Wop
Mott the Hoople – original mixed up kid
John Martyn – glistening Glyndebourne
David Sylvian – incantation
? – a very big marsh

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with Mixcloud streams usually available within twenty-four hours.

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328. Map Ref 41°N 93°W

“In which the band known as Wire deliver the future circa 1979 from one of the great albums. Call it power pop, I guess, all angles and perhaps cold light. As for the map reference, I looked it up. It’s a placed called Centerville, Iowa, for no reason I can grasp … other than being the absolute center of Absolute Middle America (speaking of psychic topography here), which is about the last place you’d expect something like Map Ref 41°N 93°W to ever be a hit. Certainly not in 1979.” (Philip Random)

WIRE-1979-promo-2

360. The 15th

“A tight modern pop song with the kind of sharp, icy edge that defines a sonic future for all mankind. Which is pretty much what Wire did in 1979 with 154 (one of the greatest albums of any time) and songs like the 15th. Hell, I didn’t even hear it until at least five years later, called up the DJ because I had to know what this cool new song was.” (Philip Random)

Wire-1979-promo

 

627. 2 people in a room

“Somehow I missed Wire completely the first time around. Three future inventing albums culminating with 1979’s 154 at which point they went their separate ways for a long while. Then came 1987’s Ideal Copy, which was way too good to not get curious about, which eventually led me back to 154 and the revelation that, holy sh**, this album invented the 1980s (sort of). The energy of punk driving something smarter, more abstract and intense, taking it way behind enemy lines. No wonder they needed a seven year break.” (Philip Random)

Wire-1979

820. ambitious

“Speaking of Wire, I finally paid attention to them in 1987 when, after more than seven years doing various solo and other things, the four original members recombined with the The Ideal Copy (and some dynamite single-only releases). Ambitious gets the nod here because it’s more or less the title track, and it does a sharp, tidy job of touching on all manner of essential 1980s topics such as paranoia, the Cold War, competing intelligence agencies and, of course, the ever present end of the world.” (Philip Random)

wire-1987

821. Strange

“I realize it’s not cool to prefer REM’s cover of Strange to Wire’s original, but who even heard Wire’s first three albums when they were new? Not anyone I was hanging with. So to me, REM’s more jangly, more rocking, more fun take is the original. And given that it comes from 1987’s Document, that means they’re at their pre-mega-mainstream peak.  Still suitably artful and obscure, but beginning to enunciate.” (Philip Random)

rem-1987

The 12 MixTapes of Christmas

chrs-bopsolid-master

The Twelve Mixtapes of Christmas have got nothing to do with Christmas (beyond being a gift to you) and they’re not actually mix tapes, or CDs for that matter – just mixes, each 49-minutes long, one posted to Randophonic’s Mixcloud for each day of Twelvetide (aka the Twelve Days of Christmas).

The mixes are in fact remnants of an unfinished project from a few years back that had something to do with compiling a playlist for an alternative to Alternative Rock (or whatever) radio station. To be honest, we’re not one hundred percent clear about any of it because somebody spilled (what we hope is) red wine on the official transcript, thus rendering key parts illegible.

Bottom line: it’s five hundred eighty-eight minutes of music covering all manner of ground, from David Bowie to Bow Wow Wow to Tuxedomoon to Claudine Longet, Ray Charles, Stevie Wonder, Captain Beefheart, Aphrodite’s Child, Tom Jones, Marilyn Manson, Ike + Tina Turner, anything and everything, as long as it’s good.