282. I am the resurrection

“Speaking of our Lord and Saviour Jesus Christ, call this one punk rock, Ecstatically inspired. In other words, blame it on the drugs. Or whatever it was that got the Stone Roses mixing up mystical insight and balls out provocation in such a way as to declare themselves both the resurrection and the son (singer Ian Brown anyway). I Am The Resurrection being the epic final track of their 1989 debut album that really did blow the roof off of things. The whole album, that is, every song essential. Call it a masterpiece, messianic even. These Roses really were perfect, they had all the answers, they were showing the way. But then, I guess, they started doing different drugs.” (Philip Random)

StoneRoses-1989-studioLive

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09. reSEARCH – all worlds

Installment #9 of The Research Series aired May-20-2018 on CiTR.FM.101.9.

The ninth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

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09. All Worlds

Dub Syndicate – out + about [Modesty edit]
African Head Charge – hold some more
Beans – all worlds [frag]
Rolling Stones – 2000 light years [frag]
Jackie-O Motherfucker – 777 tombstones [edit]
Simple Minds – this earth that you walk upon
Simple Minds – league of nations
Marianne Faithfull – guilt
Annexus Quam – osmose-B
Spirit – feeling in time
Stone Roses – something’s burning
Sonic Youth – expressway to yr skull [part 2]

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.

006. The Final Countdown*

Installment #56 of The Final Countdown aired Saturday-April-21-2018 (c/o CiTR.FM.101.9).

Tracks available on this Youtube playlist (somewhat inaccurate).

The Final Countdown* is Randophonic’s longest, most random and (if we’re doing it right) relevant countdown yet – the end of result of a long and convoluted process that finally evolved into something halfway tangible in early 2018. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

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Installment #6 of The Final Countdown* went like this.

1191. Malcolm McLaren – do you like scratchin’
1190. Neil Young – Mr Soul [trans]
1189. Stranglers – just like nothing on earth
1188. Uberzone vs Martin Denny – hypnotique
1187. Stone Roses – one love [the jam part]
1186. Sigur Ros – Gobbledigook
1185. Pentangle – Light Flight
1184. Dali’s Car – his box
1183. Negativland – cara mia
1182. Nitty Gritty Dirt Band – Raleigh-Durham reel
1181. Salvador Santana – Under The Sun
1180. Screaming Eagles – doodoodoodoo
1179. Gabor Csupo – Hungarian Dance #1 (Pozsony)
1178. Grateful Dead – new speedway boogie
1177. Ultravox – Mr X
1176. Todd Rundgren – the spark of life
1175. Egg Head – I hate fluorescent lights
1174. Booker T & the MGs – she’s so heavy
1173. Eugene Chadbourne – wild horses
1172. Rolling Stones – let’s sing this all together [see what happens]
1171. Massive Professor Attack etc – bumper ball dub

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

905. waterfall + don’t stop

Two Stone Roses tracks presented as one because they really are – just played in different directions. Or as some genius put it at the time, “You know the drugs are good when songs are changing direction and you don’t really notice.” And the drugs were very good in Manchester at the time of that first (and only really) Stone Roses album.

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999. made of stone

The Stone Roses hit like a fresh breeze in 1989 with the only album  of theirs’ the world would ever need. The lyrics may have worked a dark edge but the sound was all cool light, a powerful pop that was also ethereal, expansive, exploding with the sort of complex colours that the decade in question had mostly forgotten even existed.  The future looked good.

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