43. The Solid Time Of Change

Installment #43 of the Solid Time of Change aired on Saturday July-8-2017 (c/o CiTR.FM.101.9).

Youtube playlist (not entirely accurate).

The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.

solid-crop-43

Part Forty-Three of the journey went as follows:

  1. Led Zeppelin – when the levee breaks
  2. Yes – roundabout
  3. Yes – Ritual [edit]
  4. Who – Dr Jimmy
  5. Who – the rock
  6. Who – love reign o’er me
  7. Gong – Radio Gnome Invisible
  8. Gong – Flying Teapot
  9. Gong – The Pot Head Pixies
  10. Gong – The Octave Doctors And The Crystal Machine
  11. Gong – Zero The Hero And The Witch’s Spell
  12. Gong – Witch’s Song/I Am Your Pussy

Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook page.

41. The Solid Time Of Change

Installment #41 of the Solid Time of Change aired on Saturday June-17-2017 (c/o CiTR.FM.101.9).

Podcast (Solid Time begins a few minutes in). Youtube playlist (not entirely accurate).

The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.

solid-crop-41

Part Forty-One of the journey went as follows:

  1. Gentle Giant – Pantagruel’s Nativity
  2. Gentle Giant – an inmate’s lullaby
  3. Genesis – in the cage
  4. Genesis – grand parade of lifeless packaging
  5. Genesis – back in NYC
  6. Genesis – hairless heart
  7. Genesis – counting out time
  8. Queen – march of the black queen
  9. Electric Light Orchestra – Eldorado overture
  10. Electric Light Orchestra – Can’t get it out of my head
  11. Electric Light Orchestra – Boy Blue
  12. Electric Light Orchestra – Laredo Tornado
  13. Electric Light Orchestra – Eldorado
  14. Electric Light Orchestra – Eldorado finale
  15. Can – bel air

Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook page.

748. danger bird

It’s 1975 and if you’re Neil Young, you’re hanging out in sunny California, feeling a decade older than you were three years ago, but at least the drugs are good, and sometimes the smog ain’t so bad, particularly when Crazy Horse drops by. Just plug in and play so loud it actually cuts through the haze, and mystical birds of great danger are seen soaring high, fierce and beautiful.

NeilYoung-1975

773. sickle clowns

“As the story goes, The Pretty Things never got around to Invading America properly and thus they stand as the one essential Brit band of the swinging 60s that never really made it into the so-called Classic Rock canon – the upside being that I never got remotely sick of them. Sickle Clowns comes from 1970, and as with many of the better records from that year, you can feel the change that must’ve been in the air, the flower power well on the wane, the shadows growing, the sparkle fading as the drugs wore off.” (Philip Random)

(image source)

776. 7 and 7 is

Love were already on their second album by 1966, and hitting their timeless stride. Of course, being only seven years old at the time, I was more into the Monkees, Herb Alpert and Peter Paul + Mary, so I’d have to wait thirty years before I could declare that 7 and 7 was a pretty much perfect chunk of garage psychedelia – short, sharp, smart, and with a nice explosion at the end.” (Philip Random)

Love-1966

807. White man in Hammersmith Palais

Speaking of bass culture, (and contrary to popular belief) it needs to be said that White Man in Hammersmith Palais was neither The Clash‘s first reggae song (that was Police + Thieves), nor its best (probably something from Sandinista). But it was the first one they actually wrote, Joe Strummer to be specific, slipping out of his punk mindset long enough to wax poetic on politics and music, Robin Hood and Hitler, black and white, everything really.

Clash-whiteMAN