Speaking of the making the best of the hand that God or the universe or just overall randomness has dealt you, no list of top twenty records that most people probably haven’t heard would be complete without something dire and eviscerating from the Berlin outfit known as Einsturzende Neubauten. With Feurio (from 1989’s Haus Der Luge) getting the nod here because it is 1989, the year The Wall came down, the year everything finally gave. Not that the Einsturzende crew knew what was coming while they were recording the album. It was just heads down, eyes wide open industrial strength soul music, because when the enemy’s been at the gates your whole life, that’s what you do – you give everything, leave no energy un-realized, no noise un-made.
And nobody’s ever had enemies at their gates like everyday Berliners of the Cold War world (1945-1989). Hard not to be bleeding sparks from the friction of everyday life when you’re sandwiched between the world’s two great military powers, flexing their military and ideological bullshit for four and a half decades. So we get this fierce and timeless force of nature. Feurio translating as Fire— by pressure and body warmth / will our confusion become a nuclear fusion / and enormous / enormous / amounts of energy will be released. Which is exactly what it sounds like — the furious heat of souls that won’t bow down, that won’t submit to all the usual political economical bullshit. Or as Neil Young commented at around the same time. Keep On Rockin In The Free World, except Berlin was neither free nor un-free. It was the line between. Lest we forget.
Yeah, yeah, yeah, you’ve heard Heroes a million times already. But have you heard the German/English edit that showed up on the soundtrack for Christianne F, the most depressing movie ever? There’s just something about what that complex language does to Mr. Bowie’s delivery, the deeper, more wrenching depths of soul and enunciation, how it gets you right to the heart of what was then still a divided city – two opposed universes of politics and animosity grinding up against each other. Forever. Or so it felt at the time.
“The release date of Berlin based Einsturzende Neubauten‘s fifth album Haus Der Luge was 4-September-1989, roughly two months before The Wall finally fell. So yes, all that rage and delirium you’re feeling, it’s the real thing, the house is indeed full of lies, the new buildings are all coming down, Neubauten being one of those bands who absolutely sounded like the history they were riding, the sum result of forty-odd years of two opposed worlds grinding up against each other, something/everything finally giving. Historians now seem to give Ronald Reagan the credit. F*** that sh**. It was Neubauten all the way. Music that dissolved concrete, melted barbed wire, changed everything forever.” (Philip Random)
“When Einsturzende Neubauten recorded Sand, the Berlin Wall was still dividing their home town, a fact of geo-political nature if there ever was one. So yeah, here was a raw slab of pure, impossible to ignore Cold War soul. Little did I realize it was a Lee Hazelwood cover until a certain backyard BBQ maybe a decade later. The Wall was gone by then and even eight thousand miles away you could feel the overall decompression. Or maybe it was all the marijuana and tequila. Anyway, I was lying in a hammock counting the clouds or whatever and suddenly there was Nancy Sinatra doing an Einsturzende cover. It made perfect sense.” (Philip Random)