“Though I was aware of the fabulous strangeness of George Clinton and Funkadelic and/or Parliament as far back as 1976 (having caught him/them on TV one late and lonely teenage night), I never really dove in until You Shouldn’t Nuf Bit Fish crossed my path in 1984. It was just so utterly what I needed — completely concerned with the apocalyptic mess that we, the species, were very much in as the 1980s stumbled toward their midpoint, all of our nuclear fishin’ fuelling the cold war arms race, the Doomsday Clock ticking every closer to midnight … with the old man in Washington DC whose finger was on the trigger slipping into dementia. No better time for a funk that was spaced way out, and resolutely strange.” (Philip Random)
“The release date of Berlin based Einsturzende Neubauten‘s fifth album Haus Der Luge was 4-September-1989, roughly two months before The Wall finally fell. So yes, all that rage and delirium you’re feeling, it’s the real thing, the house is indeed full of lies, the new buildings are all coming down, Neubauten being one of those bands who absolutely sounded like the history they were riding, the sum result of forty-odd years of two opposed worlds grinding up against each other, something/everything finally giving. Historians now seem to give Ronald Reagan the credit. F*** that sh**. It was Neubauten all the way. Music that dissolved concrete, melted barbed wire, changed everything forever.” (Philip Random)
“1984 was Frankie‘s year (Goes To Hollywood, that is). Nobody had heard of them before. Nobody would ever really care about them after. The root of it, I figure, was a line from Two Tribes (which won’t be on this list because I’m assuming you’ve heard it). ‘Are we living in a land where sex and horror are the new gods?’ The land they were from was England, but given the degree of international success they had, it’s safe to say they were speaking of the whole mad Cold War world. Which put the Pleasuredome everywhere, including spread across the entirety of side one of Frankie’s debut double album.” (Philip Random)
If the summer of 1983 had an official soundtrack album, New Order were on it. Or perhaps Power Corruption + Lies (and the non album monster single that preceded it, Blue Monday) was that soundtrack. Because power, corruption and lies were all the rage that summer – Ronald Raygun in the White House, the wicked witch of the west Maggie Thatcher running things in the UK, the Cold War in full acceleration mode, nuclear winter in all the forecasts even if the sun was shining. Your Silent Face seemed to be a love song, except if you actually listened to the lyrics, you realized it was packing as much bile as anything else. It was that kind of summer.
“When Einsturzende Neubauten recorded Sand, the Berlin Wall was still dividing their home town, a fact of geo-political nature if there ever was one. So yeah, here was a raw slab of pure, impossible to ignore Cold War soul. Little did I realize it was a Lee Hazelwood cover until a certain backyard BBQ maybe a decade later. The Wall was gone by then and even eight thousand miles away you could feel the overall decompression. Or maybe it was all the marijuana and tequila. Anyway, I was lying in a hammock counting the clouds or whatever and suddenly there was Nancy Sinatra doing an Einsturzende cover. It made perfect sense.” (Philip Random)