65. debaser

Debaser was the first Pixies track to properly grab me, give me a proper smacking around, as all world class, eschaton immanetizing rock must do. The eyeball slicing helps, of course. A Salvador Dali reference. Actually, it came from Luis Bunuel’s dream, but Dali liked the sound of it and the rest is history. Surrealism with a capital S. Debaser, that is. Which makes it as much about Paris 1929 as the Americas of 1989, or Zurich 1916, for that matter. Meaning being entirely beside the point. Because seriously: what did happen in the Cabaret Voltaire? What strange and vital energies were released from its bowels even as all of Europe was tearing itself to pieces in the so-called Great War? What conjured them? What nurtured them? And how did they somehow inspire and ignite a sort of surf punk outfit operating out of Boston, Massachusetts seventy plus years later? I’m clear on one thing. Meaning had nothing to do with it, or a dog, Andalusian or otherwise. And I’m pretty sure Marie Osmond would back me up.” (Philip Random)

431. Yashar

First of all, the Cabaret Voltaire that mattered most was the one that operated in Zurich for maybe six months in 1916, out of which came the movement known as Dada which, it’s entirely conceivable, saved the world, perhaps the entire universe. It’s true. The other Cabaret Voltaire (straight outa Sheffield), wasn’t exactly trivial either. Starting in 1973, they shamelessly put noise to tape and called it music. Come the 1980s, they were evolving somewhat, taking on the clubs with the likes of Yashar, which did a solid job of both making people move, and informing those people that there were magnitudes more of them on earth than anybody was letting on.

CabaretVoltaire-1982