357. Lazarus

“Lazarus eventually showed up in truncated form on the Boo Radleys‘ third album Giant Steps, arguably the greatest album ever that hardly anyone’s ever heard (except a bunch of Brits in 1993 or thereabouts), but the version you need to hear is the original 12-inch single mix with the extended and ultimately profound lead-in. Over a minute before there’s a discernible beat, almost three before the trumpets of heaven properly unleash like the Lord’s own light shining through, turning confusion to epiphany, sorrow to joy, undeath to everlasting life (there is a difference). I may not believe that Jesus Christ is my Lord and Saviour, but I do believe in this song.” (Philip Random)

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431. Yashar

First of all, the Cabaret Voltaire that mattered most was the one that operated in Zurich for maybe six months in 1916, out of which came the movement known as Dada which, it’s entirely conceivable, saved the world, perhaps the entire universe. It’s true. The other Cabaret Voltaire (straight outa Sheffield), wasn’t exactly trivial either. Starting in 1973, they shamelessly put noise to tape and called it music. Come the 1980s, they were evolving somewhat, taking on the clubs with the likes of Yashar, which did a solid job of both making people move, and informing those people that there were magnitudes more of them on earth than anybody was letting on.

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761. this is not a love song

In which Johnny Rotten (aka Lydon) and the ever revolving crowd at Public Image Ltd remind us that the very idea of a love song was problematic come the 1980s, Ian Curtis having slain the beast with Love Will Tear Us Apart (and then he hung himself to emphasize his point). Which didn’t mean that love didn’t exist anymore. It had just become a heavier, more complex and dangerous thing. And take note. This is the original single version, vastly superior to overproduced mess that eventually showed up on album.

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