52. the killing moon

“Some songs just want to be longer, I guess. Case in point, the All Night mix of Echo and the Bunnymen’s Killing Moon. Nothing particularly wrong (or short) about the original almost six minute long album version – this one just goes further, deeper, richer. And seriously, what’s the rush given what’s on the line? Which is everything: life, death, eternity, oblivion, fate up against your will, looking the truth of it in the eye, daring to stare it down. There’s a f*** of a lot going on here, needless to say, and not just in and around Ian McCulloch‘s preposterously overwrought ego. Because I doubt the world’s ever had as many possible endings as it did in the mid-80s. If AIDS wasn’t going to get you, then trust that old man Reagan and the malevolent bureaucrats in Soviet Russia would. Or maybe it would be that hole in the ozone we kept hearing about – bigger than Antarctica, or was it Australia? And the ice caps were all melting. Yeah, we knew that even then. So why the hell not take a few more minutes to work the mood, ponder the imponderables, explore the best f***ing song ever recorded. Arguably.” (Philip Random)

217. do it clean [live]

 

Wherein Echo + the Bunnymen make it clear that they really are the greatest band in the world (for a few minutes anyway, live at the Royal Albert Hall in 1983), surfing all the powerful and angular waves of the confusing and psychedelic moment, taking them to places where gravity holds no sway. Which in the case of Do It Clean means, what the hell, why not throw in some Beatles, some James Brown, some Nat King Cole and Boney Maroni! Because once you’ve achieved a certain critical velocity, there are no borders anymore, no barricades, no lines between – it’s all just one superlative song.

Echo+Bunnymen-Live-1983