13. reSEARCH

The Need, installment #13 of The Research Series aired June-24-2018 on CiTR.FM.101.9.

The thirteenth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

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13. The Need

Clash – if music could talk
Jimi Hendrix – stone free again
John Martyn – I’d rather be the devil [part 2]
Brian Eno + Jah Wobble – spinner
African Head Charge – crocodile shoes [excerpt]
Sun Ra – exotic forest
Drome – hinterland
Minutemen – you need the glory
David Pritchard – the march of Mallory Bat
CTI – the need
Simple Minds – brass band [2]

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.

 

421. rainy day … still dreaming

“Jimi Hendrix’s superlative 1968 double shot Electric Ladyland features two versions of his anthem toward getting high and dreamy on a rainy day (the first more laid back one being Rainy Day Dream Away, the second more explosive one being Still Raining Still Dreaming). I long ago linked them via an edit that I can’t even find now, but trust that it all flows nicely, powerfully together, with Hendrix rhapsodics to make even the gods cry, which leads to more rain, of course, more dreaming.” (Philip Random)

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457. pali gap

https://www.youtube.com/watch?v=HSJIJjI9cmQ

“On a bad night, with the wrong kind of ears, I suppose Pali Gap sounds like just more Hendrix noodling. The rhythm section locks into a groove, the great man proceeds to wander. But on a good night, with the right kind of lightning tearing up the sky, it’s a secret door to one of the Lord’s own mansions. Or as old friend Chris once put it, ‘With Hendrix sometimes, it’s not the notes he’s playing, it’s what they’re suggesting, except he plays so many f***ing notes, it’s impossible to grasp even a fraction of what he’s suggesting.’ So all the more reason to play Rainbow Bridge one more time (even if it has nothing to do with the movie of the same name).” (Philip Random)

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590. who knows?

“We’re listening to Who Knows from Band of Gypsys, the Jimi Hendrix 1970 New Years live album. Two guys are arguing about the relative quality of his backing magicians. The Experience versus the Band of Gypsys lineup of Buddy Myles and Billy Cox. A third guy finally pipes in, ‘Hey, if they were good enough for Jimi, they’re good enough for me. Now shut the f*** up and listen.’ Which, in the case of the Band of Gypsys, should drive home the point that barely eight months before his death, whatever may have been going down in the man’s personal life, Jimi Hendrix was anything but in a creative rut.” (Philip Random)

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660. nine to the universe

“Quoting my good friend Mark (who was no doubt stoned at the time), ‘The only essential Jimi Hendrix albums are the ones he recorded while he was still alive.’ By which, of course, he meant the ones that were released while he was still alive. But Mark did allow that 1980’s Nine To The Universe rated at least half an exception, ‘Because, man, some of that stuff is genuine proof of life after death.’ Perhaps because it was the first posthumous Hendrix release to not include dubious overdubs care of a producer who, revered as he may have been in the jazz universe, never should have been allowed near the Hendrix master tapes.” (Philip Random)

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696. lonesome and a long way from home

“Speaking of ear worms, this Eric Clapton track is definitely one of mine, always just lurking there, ready to slip into my consciousness if I’m feeling sorry for myself or whatever. Not that I’ve ever been a huge Clapton fan (Jimi Hendrix was always better, and Jimmy Page, Steve Howe, Neil Young, Duane Allman, Peter Green, Pete Townsend even). Nor have I been perpetually lonely, and where the hell is home anyway? “It’s back there somewhere,” as my friend Steve used to say, thumb pointed over his shoulder and far away, “Always in the rear view.” (Philip Random)

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