222. price of paradise

“Being a necessary missive from the final Minutemen album, main man D Boon weighing in on that so-called lucky generation of young Americans who didn’t have to go fight in Vietnam, but had older brothers (or cousins or next door neighbours) who did, and so saw all too closely the damage done. But then a pointless van accident can get you any time, as it did D Boon in December 1985, somewhere in the desert. Rest in peace, man. The Minutemen are still the best f***ing band most people have never even heard of.” (Philip Random)

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(photo: Naomi Petersen)

 

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16. reSEARCH

Moonlight + Feathers, installment #16 of The Research Series aired in October-2018 on CiTR.FM.101.9.

The sixteenth of a planned forty-nine movies (without pictures), each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

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16. moonlight + feathers

Rip Rig + Panic – here gathers nameless energy
Minutemen – dreams are free motherfucker
Daevid Allen – gay
ids – rainbow enemy
Mothers of Invention – get a little
Shinjuku Thief – feather woman of the jungle
Marc Barreca – moonlight dome
LSD49 – room with 49 doors [excerpt]
Jimi Hendrix – voodoo chile
Frank Zappa – [small fragment of] swifty
Can – vitamin C
Embryo – Farid excerpt
Gabor Csupo – frozen princess
Full Moon Scientist – lunar base dub
Jerry Garcia – spidergawd

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with Mixcloud streams usually available within twenty-four hours.

13. reSEARCH

The Need, installment #13 of The Research Series aired June-24-2018 on CiTR.FM.101.9.

The thirteenth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

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13. The Need

Clash – if music could talk
Jimi Hendrix – stone free again
John Martyn – I’d rather be the devil [part 2]
Brian Eno + Jah Wobble – spinner
African Head Charge – crocodile shoes [excerpt]
Sun Ra – exotic forest
Drome – hinterland
Minutemen – you need the glory
David Pritchard – the march of Mallory Bat
CTI – the need
Simple Minds – brass band [2]

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.

 

478. king of the hill

King of the Hill was the Minutemen‘s version of consciously selling out. It said so on the cover, Project: Mersh. Record company big-wigs, pouring over the data, brainstorming how to shift more units, having a eureka moment. “I got it! We’ll have them write hit songs!” Good for a laugh. But then the word hit that D. Boon, the big guy that played guitar and sang and wrote most of their songs, was dead, killed in a van crash in Arizona. A brutal end to what had been a damned fine story.

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004. The Final Countdown*

Installment #4 of The Final Countdown aired Saturday-April-7-2018 (c/o CiTR.FM.101.9).

Tracks available on this Youtube playlist (rather inaccurate).

The Final Countdown* is our longest, most random and (if we’re doing it right) relevant countdown. Which doesn’t mean we’re sure yet what it’s all about – just the end of result of a long and convoluted process that finally evolved into something halfway tangible a month or so ago. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

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Installment #4 of The Final Countdown* went like this.

1234. Madlib – no more time (the change)
1233. Dinosaur L – #6 (Get Set)
1232. Buggles – I love you Miss Robot
1231. Lavender Diamond – you broke my heart
1230. High Llamas – Homespun Rerun [Cornelius remix]
1229. Minutemen – The Politics of Time
1228. Kool + The Gang – come together
1227. Sly + the Family Stone – I’m an Animal
1226. Earth Wind + Fire – Sweet Sweetback’s Theme
1225. Jethro Tull – the mouse police never sleeps
1224. Daevid Allen – bodigas-froghello
1223. Alice Cooper – unfinished sweet
1222. Beach Boys – I love to say Dada
1221. Josh Millard – hallehula
1220. John McDermott – home from the forest
1219. Japonize Elephants – fuck the pharmacia
1218. Juggernaut Jug Band – Desolation Row
1217. Brian Eno – Kurt’s Rejoinder
1216. Melodic Energy Commission – escargot + gallop
1215. Spirit – space child
1214. Quasi – sound and vision

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

546. Jesus + Tequila

“As the story goes, first the party ran out of wine. Jesus took care of that. And then he invented tequila, just to show off. But I wouldn’t know. I wasn’t there. But I was there for the Minutemen, Double Nickels on the Dime in particular. Have I raved enough about that? Probably not. Their best album, though who knows what might have been? Three guys with enough heart and soul and rage for a f***ing revolution, cranking out no less than forty-five tracks spread across four sides of vinyl. Jesus and Tequila was one of the longer ones.” (Philip Random)

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1013. themselves

Second of two in a row from the Minutemen‘s Double Nickels on the Dime, a double album featuring forty-three mostly hard, mostly fast, mostly abrupt nuggets that manage to be unerringly smart, angry, political, and damned good. Themselves, at one-minute-eighteen seconds, doesn’t even feel rushed, just urgent, because all the men who work the land need to wake the f*** up and see beyond the rhetoric. True in 1984. True in 2016.

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1014. maybe partying will help

First of two in a row from the Minutemen‘s Double Nickels on the Dime, arguably the best double album of the 1980s. Because 1984 was supposed to be the year that we all finally found ourselves in George Orwell’s living hell, betrayers of love, loving only Big Brother. But if you were digging deep, steering clear of the sewage that was flooding the mainstream, you had punk-rock-hardcore-whatever-you-want-to-call-it getting ambitious (progressive even), swinging hard for the fences in all kinds of cool ways. And the Minutemen were leading that charge.

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