629. windshield wiper

The Enigmas are the great Vancouver band of the early-mid 1980s that most folks seem to have never heard of. They had the whole 60s garage-psyche thing more than just down – they actually transported you there, not so much back in time as into a whole other dimension that was tighter than punk and/or hardcore, and sexier, but every bit as hard and fast. If a proper recording existed of their umpteen minute live version of the Count Five’s Psychotic Reaction, it would be way up near the top of this list. As for the Windshield Wiper, it’s a dance. The record even came with a diagram.

Enigmas-strangelyWild

710. I must not think bad thoughts

In which first wave American punk band X (straight out of LA) rein in the intensity of their attack a touch and rather brilliantly nail down the zeitgeist circa 1983. Which was that, come year three of Ronald Reagan’s presidency, humanoid reptiles were in full ascendancy. Look no further than the radio dial. Where was any band that mattered? Nothing left to do but tell the truth.

X-1983

762. Modern Times Rock ‘n’ Roll

“In which Queen unleash one minute fifty seconds of punk rock a good three years before they had a label for such stuff, Modern Times Rock ‘n’ Roll being found on their first album, the one titled simply Queen. And exhibit A when it came to proving that they could do anything any other so-called rock band could do, and better.  At least, that was the argument in the Grade Nine ghetto down by the metal work room.” (Philip Random)

Queen-1973

 

763. we’ve got a bigger problem now

“I cannot tell a lie. The first time I heard the name Dead Kennedys, it kind of took my breath away. I didn’t say anything out loud or anything, but I liked the Kennedys, was old enough to remember the assassinations of both JFK and RFK. And now here was this punk band exploiting them. Not that I really even listened to the music. It was just trash and exploitation, right? With a name like that! It took 1981’s In God We Trust EP to finally set me straight, particularly We’ve Got A Bigger Problem Now (which I later discovered was a reworking of California Uber Alles from their first album). It was the lounge bit at the beginning that hooked me, the part about happy hour being enforced by law, and a jar of Hitler’s brain juice in the back, and Emperor Ronald Reagan born again with fascist cravings. Welcome to the future. Ready or not.” (Philip Random)

DeadKennedys-1981

817. ever fallen in love

In which the Buzzcocks unleash a short, sharp fever of pure and beautiful pop with punk in its soul.  Or is it the other way around?  One thing is clear. They were one of (if not the first) bands to have it both ways, and we’ll forever love them for that. Just because you’re mad as hell doesn’t mean you can’t be pretty, too.

Buzzcocks-1978

835. the tower

NoMeansNo finally got it right on Wrong: the ferocious musicality of their live thunder captured in the studio, pressed to vinyl, unleashed upon the world. The whole album tends to flow together as one prolonged eruption of ugly-beautiful wrongness, but The Tower gets it singled out because it f***ing towers.

nomeansno-1989