There is absolutely nothing wrong with Brian Eno’s original take on Third Uncle. Bauhaus’s cover is just louder, fiercer, more dangerous, better. In fact, it gets downright harrowing before it’s done – a reminder that so-called Goth didn’t even exist at the time, Bauhaus being one of those rare outfits that forces a re-think, a whole new definition. Yeah, there were already lots of folks dressing in black, mourning for their own deaths, but they were just part of the greater scene, lurking in the shadows of the cooler clubs like something important was being born, but it hadn’t quite arrived yet. Until along came Bauhaus, looking good in black themselves, and way too loud to ignore.
“Bauhaus still had one more album after 1982’s The Sky’s Gone Out but in terms of invention and sheer sonic adventure, it’s pretty safe to say they peaked here. And nowhere are things creepier, more sonically inventive than the final track, Exquisite Corpse. Dub, oblique fragments of poetry, sheets of nightmarish noise. Needless to say, this got a lot of play through any number of psychedelic excursions in the lead up to the mid-80s. An abandoned house comes to mind, right at the seashore, a sort of lost cove off Vancouver’s north shore. The weird part is how everything was still furnished, the library still stocked with books. I grabbed one, heavy, bound in strangely moist leather. I opened it up to some calligraphy, a language I didn’t recognize and yet it spoke to me anyway, and then I realized that the ink was blood red and running in trickles to the hungry floorboards. Actually, I’m pretty sure it was all but a dream.” (Philip Random)
(photo: Fin Costello)
Tracks available on this Youtube playlist (somewhat inaccurate).
The Final Countdown* is Randophonic’s longest, most random and (if we’re doing it right) relevant countdown yet – the end of result of a long process that finally evolved into something halfway tangible in early 2018. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.
Installment #10 of The Final Countdown* went like this.
1110. Faze Action – moving cities
1109. Dalis Car – Dalis Car
1108. Tom Jones – help yourself
1107. Steve Miller Band – lucky man + gangster of love
1106. Can – come sta, la Luna 
1105. Sufjan Stephens vs Aesop Rock – None Shall Pass
1104. Curtis Mayfield – keep on trippin’
1103. David Crosby – Orleans
1102. Citywide Vacuum – carbon valence
1101. Medeski Martin & Wood – Strance of the Spirit Red Gator
1100. Sacred System – driftwork
1099. Synergy – terra incognita
1098. Residents – the ultimate disaster 
1097. Jah Wobble + Holger Czukay + Jaki Leibezeit – trench warfare
1096. Guess Who – smoke big factory
1095. Flasket Brinner – Gånglåten
1094. Super Furry Animals – Juxtaposed with U
1093. Band [+Van Morrison] – 4% pantomime
Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.
“Bauhaus, at the peak of their considerable powers, deliver a generational anthem if there ever was one. Though I can’t say I’ve analyzed it much past the title, modest as it demands are. It’s 1982 and everything’s pretty much gone or going to hell, slimy and/or demented conservative types in power pretty much everywhere in the so-called western world, and it’s worse everywhere else, the rich getting richer, the poor getting eaten. In the face of all this, what do we young people want? Oh, not much. Just EVERYTHING.” (Philip Random)
Dali’s Car (the project) may have looked brilliant on paper. Take ex-Bauhaus lead singer Peter Murphy, put him in a room with Mick Karn, instrumental genius from recently disbanded Japan – see what happens. What happened was an album called The Waking Hour which didn’t quite add up, not for forty odd minutes. But Dali’s Car (the song ) — that was memorably odd, and nutritious.