“Fashion victims, we called them. Also sophistos, or simply haircuts. But the correct term was New Romantic. And we could make all the fun we wanted, they had some of the best tunes for a while, with Fade To Grey particularly notable, because it was Visage, Steve Strange‘s group, the guy who’d started it all, shrugged off the ugly extremes of punk and replaced them with a more alluring and androgynous aesthetic – equal parts beautiful and absurd. Glam retro-fitted for the 1980s. And Fade To Grey was definitely beautiful.” (Philip Random)
Ultravox started out as sort of glam infused new wavers, but after three cool but not particularly successful albums, their label dumped them, front man John Foxx went solo, and the other members wandered off in various directions. Which would have been the end of things if keyboardist-violinist Billy Currie hadn’t run into Midge Ure (his first name was actually Jim) while working with original New Romantics, Visage. The rebooted Ultravox took the New Romantic thing and ran with it, first with Vienna, then 1981’s Rage In Eden, with the title track a study in contained, cinematic noir. Like peering out a window at the new decade as a thick fog rolled in – interesting times whether you wanted them or not.