40. The Solid Time Of Change

Installment #40 of the Solid Time of Change aired on Saturday June-10-2017 (c/o CiTR.FM.101.9).

Podcast (Solid Time begins a few minutes in). Youtube playlist (not entirely accurate).

The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.

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Part Forty of the journey went as follows:

  1. Yes – yours is no disgrace
  2. Richard Harris – MacArthur Park
  3. Todd Rundgren – international feel
  4. Todd Rundgren – never never land
  5. Todd Rundgren – tic tic tic it wears off
  6. Todd Rundgren – Zen Archer
  7. Todd Rundgren -Le Feel Internacìonále
  8. Pretty Things – Baron Saturday
  9. Pretty Things – the journey
  10. Pretty Things – I see you
  11. Pink Floyd – astronomy domine
  12. Peter Hammill – modern
  13. Van Der Graaf Generator – a plague of lighthouse keepers
  14. Mothers of Invention- eat that question
  15. King Crimson – Asbury Park

Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook page.

733. sing a simple song

In which Sly + the Family Stone remind us that there was once a time in which all of life’s travails could be reconciled by the singing of a simple song. That’s what the mid-late 1960s were like apparently, particularly if you were in San Francisco, hanging with all the beautiful people, doing all the beautiful drugs, and you had the funk.

Sly+FamilyStone-1968

734. sing me back home

Die young and rest assured, some record industry hack will make damned sure no recording that bears your name will remain lost on any shelf. Which, in the case of Gram Parsons, is a good thing, as it got us this straight up, true as nature take on Merle Haggard’s ballad about a guy who’s due to hang tomorrow, and he’s as ready as he’s ever gonna be. All credit to the rest of the Flying Burrito Bros, too, of course.

GramParsons-Nudie

735. more often than not

Ian and Sylvia being the Tysons (husband and wife) and that rarity among Canadian artists of their era – they made it before government-imposed radio play quotas became a thing. “Special thanks to my friend Andrew’s mom, because she was the only parent I knew who seemed to generally care about music, and thus had a few decent records. Nothing heavy mind you – just good solid easy-to-listen-to options like Simon and Garfunkel, Neil Diamond, Moody Blues, and more obscure stuff, which Andrew and I spent many hours exploring – both of us still young and fresh enough to dig something even if it wasn’t driven by heavy guitars and appeals to Satan.” (Philip Random)

Ian+Sylvia-1971

736. love parade

“One more from that lost and forgotten alt-reality wherein the 1980s were everything they should have been and a record like the Undertones‘ Love Parade hit the toppermost of the poppermost – melodic, soulful, full of light, and so damned popular we all got sick of it.  But it wasn’t so we didn’t, so thank all gods for that. And man, that Feargal Sharkey could sing.” (Philip Random)

(image source)

737. it’s obvious

The Au Pairs didn’t stick around for long, and they never exactly cracked the charts, but they definitely had something for their time. And a darned interesting time it was, the early 1980s, when white punks and other related fringe dwellers were discovering funk and politics in more or less equal measure, messing around with them, not being remotely pure, and the culture was all the better for it.

AUpairs