263. can u dig it?

“In 1989, when Can U Dig It was fresh and entirely cool, it felt inconceivable that this particular Pop wouldn’t just eat itself, it would eat the whole f***ing world. Because Pop Will Eat Itself had a beatbox, samples, world eating smarts and guitars – who needed anything more? But it wasn’t to be. Can U Dig It did not hit massive all over and everywhere. I guess the Poppies just weren’t cute enough (or maybe black enough). And ultimately, who cares? It’s the world’s loss, not mine. I’ve still got my Furry Freak Brothers, my Twilight Zone, my pumping disco beats. And yeah, Alan Moore still knows the score.” (Philip Random)

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264. love song

“It’s 1970 and Elton John is still a ways from superstardom. Which doesn’t mean he may already have recorded the best album of his career. It’s called Tumbleweed Connection and yeah, it’s working a slightly silly concept about the old west, but the songs are so good, who cares? With Love Song a particular standout for me if only because it’s been so overlooked in its understated, ambient lushness. Almost too beautiful. And it’s a cover. Lesley Duncan wrote it.” (Philip Random)

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265. barstool blues

“Second of two in a row from Neil Young’s endlessly rich early mid-70s phase, though the album in question, Zuma, is not considered part of the Ditch series. Hard to say why really as, to my ears, it seems rather in line with the previous three albums’ grief and brooding and overall shambolic beauty. In the case of Barstool Blues that means an anthem for all the times you’ve just got to sit at the bar all night and drink, reconciling all the stupid shit you’ve perpetrated, and how its fallout got you there, sitting, drinking, reconciling, moaning those barstool blues … maybe somewhere in the vicinity of Zuma Beach, a thick haze of L.A. smog reminding you that every breath you take is a tiny piece of your inevitable death, but in a good way.” (Philip Random)

(photo: Henry Diltz)

266. tired eyes

Tonight’s the Night is oft thought of as Neil Young‘s death album, and the deepest, darkest depths of the so-called Ditch Trilogy. Stark cover, mostly black. Stark songs pulling no punches about various dead friends, and in the case of Tired Eyes, a friend who left death in his wake, got caught up in an ugly drug deal, ended up in prison for a long time. The damage done.

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