“Because it made John the drug dealer cry. Tough guy, carried a gun sometimes (or claimed to anyway), you did not f*** with him. It was 86 Street nightclub, 1988, maybe three hours into the 19-piece P-Funk All Stars extravaganza, George Clinton and company riding a groove that had been building all evening, just wave after wave of funk infused fabulousness, everything building, building … and finally shifting slightly, evolving into a recognizable song, the one about there only being one nation, the one which entices us to all move in groovy unity. That’s when John nudged me, pointed to a tear on his cheek. If that musical moment had somehow been pressed to vinyl in all its power and glory, it would probably be number one on this list. But I guess we’ll just have to go with the album version from a decade previous, which like so much of the Parliament-Funkadelic stuff, works fine even as it falls magnitudes short of the live item. Oh well. Maybe you had to be there. I was.” (Philip Random)
Tag Archives: George Clinton
179. give up the funk [tear the roof off]
“And because it really is that great an album, another selection from Parliament’s 1975 gem, Mothership Connection, George Clinton and his crowd tearing the roof off reality itself … live anyway. Which is how I first really encountered Give Up The Funk. First via that aforementioned TV broadcast, then thirteen years later, in the flesh. The outfit was called the P-Funk All Stars now, which simplified things somewhat, but not the music. The music remained a complex and fabulous beast, multi-headed but working only one heartbeat, everything in service of the groove. They played for the better part of four hours and I don’t think anyone anywhere ever stopped moving. Phenomenal.” (Philip Random)
181-180. P-funk wants to get funked up + night of the thumpasorus people
“Two in a row from Parliament’s 1975 Mothership Connection, because sometimes more is more. And if you can only own one Parliament album, Mothership‘s probably the one. But of course, what you really want to do is catch them live, which I did on TV back in 1976 one of those Friday night concert shows they used to have. It was one of the tours where they had an actual spaceship land on stage, great clouds of smoke and lights, and, of course, the music itself care of a band umpteen strong and powerful. Like an alien invasion straight to the marrow of my narrow, white bread suburban soul. And thus my universe was changed. But good luck actually finding any of the records down at the local mall. Cool funk just didn’t travel that far north and west in the mid-70s. In fact, it would take me decades to finally track down a vinyl copy of Mothership Connection, some things being well worth waiting (and searching) for.” (Philip Random)
19. reSEARCH – knockin’ on heaven’s mirror
Installment #19 of the Research Series aired in November-2018 on CiTR.FM.101.9.
The nineteenth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.
19. knockin’ on heaven’s mirror
Arthur Louis – knockin’ on heaven’s door
Clash – junco partner
Randophonic – a mixed up stew of stuff
Steve Miller Band – macho city 
David Essex – rock on
Procol Harum – song of the dreamer [excerpt]
Kraftwerk – the hall of mirrors [excerpt]
Bill Nelson – transition 6 [the journey]
Handgjort – Kerala
Fred Frith – the relentless landscape
Residents – The Eskimo EDIT
King Crimson – starless + bible black [pieces]
ELO – one summer dream
Michael Rother – katzenmusik-2
Jon Anderson – song of search
Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.
420. you shouldn’t nuf bit fish
“Though I was aware of the fabulous strangeness of George Clinton and Funkadelic and/or Parliament as far back as 1976 (having caught him/them on TV one late and lonely teenage night), I never really dove in until You Shouldn’t Nuf Bit Fish crossed my path in 1984. It was just so utterly what I needed — completely concerned with the apocalyptic mess that we, the species, were very much in as the 1980s stumbled toward their midpoint, all of our nuclear fishin’ fuelling the cold war arms race, the Doomsday Clock ticking every closer to midnight … with the old man in Washington DC whose finger was on the trigger slipping into dementia. No better time for a funk that was spaced way out, and resolutely strange.” (Philip Random)
519. who says a funk band can’t play rock?!
“The title says it all, and the lyrics back it up, speaking as they do to the stupid notion that musical genres are competing nations which, at best, should just avoid each other. F*** that sh**! Though it is worth noting that you’ve got to do more than just slap your bass and dress like a pimp to bring up the funk. You’ve got to somehow earn that.” (Philip Random)
“There’s not enough Funkadelic on this list. I’m sorry. It’s not my fault. Seriously, try to find any used Funkadelic vinyl in metro Vancouver that isn’t either hacked to shit or priced way out of my range. It doesn’t exist. But I did finally steal a copy of One Nation Under A Groove from somebody whose name I can’t divulge (for obvious reasons), but trust me, he’s an asshole. Jesus even said it was okay, and alcohol. And anyway, if I do end up going to hell, it won’t be for that.” (Philip Random)