Soul Love is the second of two in a row from 1972’s Ziggy Stardust + The Spiders From Mars, making the list if only because Five Years doesn’t sound quite right without it following immediately afterward. And it’s proof in advertising, a groovy nugget of soul and love, and a solid hint of where the alien Bowie might be headed once he shed his Ziggy skin.
“Growing up in suburban wherever back in the latter part of the early 1970s, you didn’t get much so-called black music on the radio, or the record stores for that matter. But every now and then, something epic like Keep On Truckin’ managed to blaze on through. I had no idea who Eddie Kendricks was (though I had heard of the Temptations), but man if my feet just couldn’t not move whenever it came on, particularly the long album version which, to my then fourteen year old ears, just seemed to go forever in the best possible way, expanding my soul and my consciousness as to what music could and should be. And honestly, it still does.” (Philip Random)
“The secret for me with the Reverend Al Green is generally to catch him when he’s in a less reverend phase. Which is definitely the case with Love Ritual, a track I originally discovered via a mid-90s remix. Which got me looking for the original vinyl, which was easy enough to find. And it was better. More emphasis on the vocals, and thus the soul, set in motion by the groove, but not bound by it.” (Philip Random)
Roberta Flack had a huge hit in 1972 with First Time Ever I Saw Your Face, a soft, deep, slow mover that was so good even twelve year old white bread suburban me couldn’t help but pay attention. Which is how I eventually ended up with Quiet Fire. Spotted maybe fifteen years later at a yard sale (hard to miss that hair on the cover). How could it not be worth twenty-five cents (or whatever)? But it wasn’t a slow mover that hooked me, it was lead-off track Go Up Moses, biblical, revolutionary and groovy, and co-written by the Reverend Jesse Jackson. Pharaoh Must Go!” (Philip Random)