70. the world is a ghetto

“Because it’s true, what the title says, the world is a ghetto, and never more so, it seems, than 1972-73, when I was finally getting serious about music, exploring the FM radio waves (which were still infinitely cool then, still dominated by DJs who loved music playing the stuff they loved). And that meant the extra long album version of The World Is A Ghetto got a lot of play, the version that really took you therewalkin down the street, smoggy-eyed, looking at the sky, starry-eyed, searchin’ for the place, weary-eyed, the fires of the 1960s riots and insurrections still smouldering, the smoke reaching even the whitebread suburbs of the Pacific Northwest where we didn’t really have so-called Black people. Yet we had their music and thus some small piece of their truth, I guess. Which, in the case of the band known as War meant all manner of genres, influences, ethnicities, impressions. They even had a white guy from Denmark playing some very haunted harmonica. Because this music wasn’t of or about any one place. It really was the whole world.” (Philip Random)

160. 1969

“1969 is the highest Stooges track on the list because I only have the one album and I’ve got to assume everybody’s already heard I Wanna Be Your Dog. Which isn’t to diminish 1969, it’s solid and raw all the way. It was the year of Woodstock, the year we all got back to the garden apparently, but Iggy wasn’t seeing it that way. He just saw war across the USA, and another year with nothing to do, except maybe get the ball rolling on inventing so-called punk rock.” (Philip Random)

Stooges-1969-live

(Photo: Glen Craig)

188. mercenaries (ready for war)

John Cale being the tall, brooding, avant-Welsh part of the Velvet Underground sound that changed everything forever – the man who brought the white light to the white heat, did dangerous things with his viola among other noise crimes. But he was gone from the Velvets by 1970, pursuing a solo (and) producing career that seemed to get him wherever he felt like going. In 1979, this meant a live album that was as hard as punk, but tougher, more seasoned. Like the greedy, full-on call to war of Mercenaries, monstrous and strong, and yes, the very definition of nihilistic. But in a good way.

JohnCale-1979

 

215. funky music sho nuff turns me on

Edwin Starr is mostly known nowadays for the song known simply as War. He didn’t write it but he did own it. Absolutely. And the same can be said of Funky Music Sho Nuff Turns Me On. It didn’t rise as high in the charts as War, didn’t cross over so emphatically. But I still managed to hear it back when it was new, one of many soul-funk rave-ups you encountered on commercial radio back in the early 1970s before the corporate types got organized and ruined everything. But the real discovery came twenty odd years later, a flea market find, and proof in advertising all the way, the funk being fiercely evident from the first squall of guitar. What a turn on!” (Philip Random)

EdwinStarr-1971-cu

018. The Final Countdown*

Installment #18. of the Final Countdown aired October-13-2018 (c/o CiTR.FM.101.9).

Selections available on this Youtube playlist (not exactly accurate).

The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is dozens of radio programs if all goes to plan, and when has that ever happened?

TFC-018

Installment #18 of The Final Countdown* went like this.

953. Swirlies – house of pancake
952. Lykke Li vs Holy Ghost – I’m Good, I’m Ghost
951. Sly + the Family Stone – spaced cowboy
950. 10cc – art for art’s sake
949. Al Green – I Wanna Hold Your Hand
948. Blow Monkeys – sweet murder
947. Holger Czukay – der osten is rot
946. Bill Frisell – egg radio
945. Irving – I can’t fall in love
944. Slothomatic – starman
943. Dandy Warhols – Ohio
942. King Black Acid – always crashing in the same car
941. Jade Warrior – [funky] waves
940. Harold Budd + Zeitgeist – breathless
939. Receiver – O’Driscoll’s Curse
938. David Bowie – African Night Flight
937. Can – transcendental express
936. War – gypsy man
935. Brian Eno – Some Words

The numbering was off on-air, but it’s correct here.

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

365. gypsy man

“The band known as War at absolute peak power. In the case of Gypsy Man, it’s how the song creeps in, as if carried by a distant storm, catching the moment for me, 1973, maybe fourteen years old, the Watergate thing, the Vietnam thing, the whole prolonged end of the 1960s thing, all the bright colours fading, distinct stench of garbage caught in the breeze. But at least  radio was still good in 1973. You could actually hear Gypsy Man on a commercial FM station, the long album version. Because the big corporate screwing hadn’t happened yet, but it was about to, because the consultants had filed their reports. There was stupid money to be made with the FM airwaves, and all of this visionary art and truth-telling crap — it was in the way, babe.” (Philip Random)

War-LIVE-1976

375. war in the east

DOA saved my life any number of times in the 1980s, mainly through their live shows. From the back of auto body shops to abandoned youth clubs to at least one high school gym to the Arts Club on Seymour (still the best damned live venue the Terminal City has ever had) to at least two sold out Commodore Ballrooms, to some impromptu acoustic messing around off the edge of a movie set – it was never pretty, always somehow beautiful. And I’m pretty sure they did War In The East every time, their only reggae song, because it slowed things a touch, clarified a few key points. Fighting one another – killing for big brother. Same as it ever was.” (Philip Random)

DOA-live-1980s

467. war

Take a speech from recently deceased Haile Selassie (Emperor of Ethiopia, living incarnation of God if you happened to be Rastafarian) and turn it into a song. It doesn’t sound like it should work. But in Bob Marley’s hands, it goes way beyond mere tribute, gets close to the stuff of actual transcendence, obliterating all borders, all boundaries, all negation. Everywhere is War.

HaileSelassie

005. The Final Countdown*

Installment #5 of The Final Countdown aired Saturday-April-14-2018 (c/o CiTR.FM.101.9).

Tracks available on this Youtube playlist (somewhat inaccurate).

The Final Countdown* is our longest, most random and (if we’re doing it right) relevant countdown yet. Which doesn’t mean we’re one hundred percent clear as to what it’s all about – just the end of result of a long and convoluted process that finally evolved into something halfway tangible a month or so ago. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

FINAL-05

Installment #5 of The Final Countdown* went like this.

1211. Negativland – The Playboy Channel
1210. LCD Soundsystem – yeah [crass mix]
1209. Residents – suburban bathers
1208. Orchestral Manoeuvres in the Dark – messages
1207. Ulrich Schnauss – on my own
1206. Love + Rockets – lazy
1205. Dr. John – Danse Kalinda Ba Doom
1204. Harmonium – un musicien parmi tant d’autres
1203. Gary Wright – love is alive
1202. Art Ensemble of Chicago – funky AECO
1201. Mothers of Invention – dog breath in the year of the plague
1200. Mothers of Invention – Montana
1199. Waterboys – nobody ‘cept you
1198. All Mighty Whispers – Love Revolution
1197. War – seven tin soldiers [the middle jam]
1196. Clash – junko partner [and dub]
1195. Fiery Furnaces – one more time
1194. Flying Lizards – in my lifetime
1193. Flying Lizards – glide-spin
1192. Simple Minds – seeing out the angel

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.