Some have called 1971’s Endless Boogie a failed experiment, but they’re wrong. Even if main man John Lee Hooker was just hanging around for much of it, letting the mostly white boys do the work (Carl Radle, Jim Gordon, Steve Miller, Gino Scaggs among others), it matters big time that he was there, bearing witness, leaning in every now and then to mumble something perhaps relevant to the temperature of the groove in question. Or maybe he really was just looking at the stove, pots full of weird potions bubbling over, setting the atmosphere itself alight.
“The secret for me with the Reverend Al Green is generally to catch him when he’s in a less reverend phase. Which is definitely the case with Love Ritual, a track I originally discovered via a mid-90s remix. Which got me looking for the original vinyl, which was easy enough to find. And it was better. More emphasis on the vocals, and thus the soul, set in motion by the groove, but not bound by it.” (Philip Random)
They were the Jazz Crusaders until 1971 at which point they became merely the Crusaders, and less of a straight up jazz outfit, more of a funk driven item. But one thing that didn’t change (and never would) was the rich and prodigious power of the music. That’s How I Feel showed up on their second album as the Crusaders, the perhaps confusingly titled double shot called 1. Nothing confusing at all about how it made things move.