“I’m guessing the title is sort of a nod to the Mary Poppins tune, though the song itself takes off in a more resolutely soulful direction. And cool it is until the groove takes over and things genuinely elevate care of the kind of musical genius that isn’t afraid to just let the piano speak, give it all the space it needs, don’t worry, it won’t disappoint you. Isaac Hayes (yeah, you may know him better as Chef) being the genius in question, the groove itself being so hot that Public Enemy would put it to stunning use a couple decades later in Black Steel In The Hour Of Chaos (one of their greatest moments) … almost as if Mr. Hayes had it planned all along. And maybe he did.” (Philip Random)
These 12 Mixtapes of Christmas have got nothing to do with Randophonic’s other 12 Mixtapes of Christmas from two years ago, or even with Christmas (beyond being a gift to you). And they’re not actually mix tapes, or CDs for that matter – just mixes, each 49-minutes long, one posted to Randophonic’s Mixcloud for each day of Twelvetide (aka the Twelve Days of Christmas).
There’s no particular genre, no particular theme or agenda being pursued, beyond all selections coming from Randophonic’s ever expanding collection of used vinyl, which continues to simultaneously draw us back and propel us forward (sonically speaking) — music and noise and whatever else the world famous Randophonic Jukebox deems (or perhaps dreams) necessary toward our long term goal of solving all the world’s problems.
Bottom line: it’s five hundred eighty-eight minutes of music covering all manner of ground, from Roy Orbison to Curtis Mayfield to Can, Bob Dylan, Manfred Mann’s Earth Band, Kraftwerk, Nitty Gritty Dirt Band and beyond (and that’s just from the first mix) — anything and everything, as long as it’s good.
“Which gets us to the middle distance selection of the list. 555 down, 555 still to go. So I figure it has to be a record that arguably (and I love to argue) could also be Number One, on a different day, in different weather, different levels of love and chaos reigning over man and his world. So yeah, there’s great depth in Isaac Hayes‘s take on Jimmy Webb’s By The Time I Get To Phoenix, and distance, and soul, by which I mean not just the hot and buttered kind — soul that’s infinite, eternal. Once soul gets a hold of you, all the normal rules don’t apply anymore. Conventional notions of space and time become meaningless. A three minute pop mega-hit can become a twenty minute journey into the heart of truth of man, god, love, EVERYTHING. As long as you believe.” (Philip Random)
The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.
Part Thirty-Five of the journey went as follows:
- Emerson Lake + Palmer – from the beginning
- Isaac Hayes – Theme from Shaft
- Deodato – Also Sprach Zarathustra
- Beatles – across the universe
- Rolling Stones – 2000 light years from home
- Queen – ogre battle
- Queen – the fairy feller’s master-stroke
- Queen – nevermore
- Jesus Christ Superstar London Cast – Overture
- Manfred Mann’s Earth Band – father of night father of day
- Frank Zappa – Big Swifty
- Steve Hackett – spectral mornings
- Steve Hackett – land of a thousand autumns
- Steve Hackett – please don’t touch
- Steve Hackett – the voice of Necam
- Steve Hackett – Icarus Ascending