“Speaking of Performance (the movie), it features prominently in Big Audio Dynamite‘s sample rich E=mc2, along with other bits and pieces from various films directed by Nicholas Roeg. And what a cool track it was (and still is), promising so much from Mick Jones in the wake of the Clash‘s rather ridiculous crash and burn, except they never really got any better, which can only mean they got worse. Not that Big Audio Dynamite were ever really bad (even if they were definitely B.A.D.) – just lacking Joe Strummer‘s overall sandpaper edge, I guess. Rather like Paul McCartney operating without John Lennon post-Beatles. At least B.A.D. never did a Christmas song.” (Philip Random)
Second of two in a row from the soundtrack to the movie called Performance, which if you haven’t seen it yet, why not? Memo From Turner being the single Mick Jagger track that puts the lie to the entirety of the rest of his so-called solo career (ie: it’s really quite good), managing to sound every bit as down and dirty and relevant as what his regular crowd were up to at the time (ie: riding their sustained peak).
Performance (the 1970 movie) is almost as good as its soundtrack, or maybe it’s the other way around. Either way, it’s a dark, dark gem – something to do with gangsters, an illusive rock star, drugs, sex, nihilism, and the only true performance ending in madness. As for the music, it covers at least as much ground and features all manner of then essential contributors, with producer/composer Jack Nitzsche at the heart of it all, delivering just what you might expect from a fatally bored rock star with piles of money but precious little inspiration, desperate for something/anything that might allow him to haul himself back into a world where anything matters.
Performance, the movie, needs to be seen. It’s the one where Mick Jagger plays a sort of Satanic rock star who’s messing with the mind of gangster who’s on the lamb, mainly out of boredom, it seems. But that sells it way short. Look no further than the soundtrack and the inclusion of a song like Wake Up N*****s by the Last Poets. It has no particular reason to be in the movie. Other than to be that cool, that on the mark of what was really going down in 1970, with the pulse of revolution very much in the air.