169. Sister Morphine

Marianne Faithfull’s take on Sister Morphine is probably the best Rolling Stones record ever that most people haven’t heard, even if it’s not Mick singing and it’s not technically the Stones. Because Mick is apparently playing some guitar (along with Ry Cooder) and that’s Charlie on drums. Who knows where Keith is?  Probably on the nod. Which drives home the point. Marianne Faithfull gets the credit and she deserves it all the way, but Sister Morphine is very much a 1969 Stone-truth being imparted. It’s not the Summer of Love anymore. The drugs have gotten too heavy. Souls are being crushed. None of this is going to end well.

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250. Memo from Turner

Second of two in a row from the soundtrack to the movie called Performance, which if you haven’t seen it yet, why not? Memo From Turner being the single Mick Jagger track that puts the lie to the entirety of the rest of his so-called solo career (ie: it’s really quite good), managing to sound every bit as down and dirty and relevant as what his regular crowd were up to at the time (ie: riding their sustained peak).

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251. natural magic

Performance (the 1970 movie) is almost as good as its soundtrack, or maybe it’s the other way around. Either way, it’s a dark, dark gem – something to do with gangsters, an illusive rock star, drugs, sex, nihilism, and the only true performance ending in madness. As for the music, it covers at least as much ground and features all manner of then essential contributors, with producer/composer Jack Nitzsche at the heart of it all, delivering just what you might expect from a fatally bored rock star with piles of money but precious little inspiration, desperate for something/anything that might allow him to haul himself back into a world where anything matters.

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The 12 MixTapes of Christmas [2018 version]

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These 12 Mixtapes of Christmas have got nothing to do with Randophonic’s other 12 Mixtapes of Christmas from two years ago, or even with Christmas (beyond being a gift to you). And they’re not actually mix tapes, or CDs for that matter – just mixes, each 49-minutes long, one posted to Randophonic’s Mixcloud for each day of Twelvetide (aka the Twelve Days of Christmas).

There’s no particular genre, no particular theme or agenda being pursued, beyond all selections coming from Randophonic’s ever expanding collection of used vinyl, which continues to simultaneously draw us back and propel us forward (sonically speaking) — music and noise and whatever else the world famous Randophonic Jukebox deems (or perhaps dreams) necessary toward our long term goal of solving all the world’s problems.

Bottom line: it’s five hundred eighty-eight minutes of music covering all manner of ground, from Roy Orbison to Curtis Mayfield to Can, Bob Dylan, Manfred Mann’s Earth Band, Kraftwerk, Nitty Gritty Dirt Band and beyond (and that’s just from the first mix) — anything and everything, as long as it’s good.