“This is UB40 before they lightened up, became banal and sold gazillions of records. This is UB40 when they were still serious contenders, working the dark and delicious dub regions of the late 1970s, early 1980s, unafraid of what lurked there. In the case of Madame Medusa, that meant twelve plus minutes of serious groove that would continue to rock dance floors well into the 1990s – at least it did whenever I was given access to the turntables. What a band! What a loss!” (Philip Random)
The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is dozens of radio programs if all goes to plan, and when has that ever happened?
Installment #23 went like this.
857. Marius de Vries – The Avengers Theme
856. Holger Czukay – cool in the pool
855. Ropes – Club in Europe Forever
854. Blue Nile – stay
853. Barry Adamson – something wicked this way comes
852. Spoon – I turn my camera on
851. UB40 – present arms in dub
850. Johnny Mathis – wild is the wind
849. The Rain and the Sidewalk – master of the universe
848. Can – I’m so green
847. Chicago – make me smile [longer edit]
846. Jimi Hendrix – love or confusion
845. Three Dog Night – never been to Spain
844. Joni Mitchell – cold blue steel + sweet fire
843. Nitin Sawhney – Voices
842. Strawbs – a mind of my own
841. Funkadelic – Brettino’s Bounce
840. Funkadelic – Music For My Mother
839. Sun Ra – exotic forest
838. Neil Young – lotta love
Tracks available on this Youtube playlist (not exactly accurate).
Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.
“I’d heard dub before I heard UB40’s Present Arms in Dub. I just didn’t know it was a thing – this notion that now every song and/or album could have both its official version and its VERSION version. Some were crying rip-off, of course, accusing labels and artists of double-dipping (or whatever). But there are always loud idiots when something cool and new hits. In the case of Present Arms (the dub version), that equaled an album that was better than the original (and probably anything else UB40 would ever do) because like Sun Ra said (and Hawkwind too for that matter), space is the place, and where there’s a version, there’s always more space – for your mind, your imagination, your soul, room to move and groove, perchance to grow.” (Philip Random)