Mike Nesmith being the Monkee that had genuine songwriting talent and thus a meaningful solo career, Some of Shelly’s Blues being a countrified ballad to make grown men (and women) weep.

Mike Nesmith being the Monkee that had genuine songwriting talent and thus a meaningful solo career, Some of Shelly’s Blues being a countrified ballad to make grown men (and women) weep.

“The best part of that Band movie The Last Waltz is when Van Morrison hits the stage and they kick things through the stratosphere with Caravan. As far as I know, 4% Pantomime is the only other time they all hooked up on record, and the magic’s here too. Good, infectious, less-than-lucid times all around.” (Philip Random)

In which Devo lay down their worldview in three and a half minutes or less. Yes, it’s a Beautiful World. Too bad it sucks. Which, if you were young and reasonably smart (raised on the ideals of the ever expanding western world only to see them turn on themselves as they did with the collapse of the Hippie 60s and their sorry fallout) was the only sane way to see things. Punk rock all the way – just pursuing different means.

Led Zeppelin didn’t have a whole lot left in their tank by 1976. Which isn’t to say that, on a good day, they still weren’t one of the most devastating four-pieces the world would ever know. Case in point, Hots On For Nowhere wherein rhythmatists John Bonham and John Paul Jones give full rein to their love of all things groovy, which the other two turn sideways, inside-out, any which way but where you think it might be going. And it rocks.

The Simple Minds (from before they decided the world needed yet another U2 and thus became officially uncool), 1981 being the year that they released two solid albums in Britain (jammed into one for North American consumers), then hit the road with one of the hottest live shows on earth. It would never really get any better, except for maybe that one night in Dortmund, 1984.

The Velvet Underground deliver some straight up rock and roll circa 1969, of which there never seemed to be enough in a world full of too much everything, particularly the kind that might have seen some hope at the end of that long dark tunnel. Or was it a train coming the other way? Or maybe it was like that dream Lou Reed had where he met himself coming the other way … and everything was alright.
