272. burn the flames

“The mid 1980s were actually one of the coolest times ever on planet earth. It just didn’t make the papers much. You had to do some digging, listen to the right radio stations, go to the right movies. And few movies have ever got it more right than Return of the Living Dead – the one that doesn’t take anything remotely seriously and ends up being fiercer, wilder, better than than pretty much every other zombie movie ever made before or since. And the soundtrack album’s a definite keeper. Look no further than Roky Erickson‘s Burn The Flames, work of a certifiable madman, completely concerned with luxuriating in the very flames of hell. All for the love of brains.” (Philip Random)

RokyErickson-1986

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273. plastic people

“As a kid who hit his teens in the early 1970s, I sort of always knew about Frank Zappa and his Mothers and their various crimes against humanity, but I never really fell in love until I heard Absolutely Free toward the end of high school, Plastic People in particular, and how nastily, incisively, hilariously it skewered all the transparent, pre-fab zombies I walked the halls with, who I once thought of as friends, but now, they just seemed hard-wired for lives of desperate boredom, intent on becoming just like their parents, only worse, because normal always gets worse. Yet Plastic People is in fact not about suburbia 1977, but Los Angeles 1967, a grand piss take of pretty much everyone, even the hippies, and how there was plastic where their souls should have been. It was just that kind of town, I guess. Still is, apparently.” (Philip Random)

FrankZappa-1967-Absolutely

274. Have you see your mother, baby, standing in the shadow?

In which the Rolling Stones make it clear. They’ve been messing with the ole lysergic and listening to their Bob Dylan, and most important, figuring a way to make it all their own, dirty, noisy and true. It’s 1966 and the summer of love may be pending, but beware those shadows, long and deep. And your mother. Not just a little Freudian.

RollingStones-1966-drag

275. death disco

There’s no shortage of rage in the Johnny Rotten (aka Lydon) discography, but nowhere else does so much sorrow show itself than in Public Image Ltd’s Death Disco (aka Swan Lake because it cops a bit of the Tchaikovsky melody), a recorded recorded immediately after the death of his mother (she requested some disco for her funeral). It actually hurts to listen to it, but in a good way (not that the whole album doesn’t lean that way) — the punk is revealed as all too human, just in case there was any doubt.

PIL-1980-Bandstand

276. that’s entertainment

“Call me agnostic on The Jam. Don’t hate them, just never really joined the fan club. Which is not to say they didn’t nail it every now and then. Like with That’s Entertainment, hitting like a scene from a movie that never got made, the one where the mod punk sort of new wave guy puts down his electric guitar, grabs his acoustic and gets to hard strumming, spitting out his disgust at all the ugliness getting passed off as beauty, all the villains getting sold as heroes, all the nightmares with laugh tracks. Just smile, folks, call it entertainment, and don’t mind the rotating knives.” (Philip Random)

Jam-1980-streetpose

277. Sick bed of old Cuchulainn

“The Pogues were actually from London but there was never any denying the Irish blood in their veins. Not to mention Guinness, Jamesons, all manner of other substances, particularly front man, Shane McGowan. But they made it all work, found the raw punk heart of all those jigs and reels and shanties and faerie stories, set them on fire and unleashed an Irish folk revival that none us realized we needed until we heard it and then f*** yeah! How had we ever lived without it?” (Philip Random)

Pogues-1985-live

278. for the love of Ivey

In which The Gun Club kick out the sort of murky, raw LOUD-quiet-LOUD that would have shifted bucketloads of units to the grunge crowd … if they’d only released Fire of Love (the album) ten years later than they did. Because in 1981, the world just wasn’t ready for the likes of For the Love of Ivey or any number of other dangerous gems. Not the mobbed up geniuses who programmed radio anyway, ran the major record labels, shifted the units. Which in the end has got to be a good thing – The Gun Club still sounding fresh, still beautiful in their ugliness, like Elvis from hell.

GunClub-1981-backstage

20. reSEARCH – star songs

Installment #20 of the Research Series aired in December-2018 on CiTR.FM.101.9.

The twentieth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

reSEARCH-020

20. star songs

Tangerine Dream – Rubicon [excerpt 2a]
Howard Shore – mugwumps
Air Liquide – Sun Progress
Dr. John – twilight zone [fragment]
Arthur Lyman – kalua
Orb – blue room [part 1]
Agitation Free – Malesch frag
Gong – Isle of Everywhere
Miles Davis – sivad [frag-2]
Sly + the Family Stone – time
Jerry Harrison – the red nights
Vince Guaraldi – star song

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.

19. reSEARCH – knockin’ on heaven’s mirror

Installment #19 of the Research Series aired in November-2018 on CiTR.FM.101.9.

The nineteenth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

reSEARCH-019

19. knockin’ on heaven’s mirror

Arthur Louis – knockin’ on heaven’s door
Clash – junco partner
Randophonic – a mixed up stew of stuff
Steve Miller Band – macho city [edit]
David Essex – rock on
Procol Harum – song of the dreamer [excerpt]
Kraftwerk – the hall of mirrors [excerpt]
Bill Nelson – transition 6 [the journey]
Handgjort – Kerala
Fred Frith – the relentless landscape
Residents – The Eskimo EDIT
King Crimson – starless + bible black [pieces]
ELO – one summer dream
Michael Rother – katzenmusik-2
Jon Anderson – song of search

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.