421. rainy day … still dreaming

“Jimi Hendrix’s superlative 1968 double shot Electric Ladyland features two versions of his anthem toward getting high and dreamy on a rainy day (the first more laid back one being Rainy Day Dream Away, the second more explosive one being Still Raining Still Dreaming). I long ago linked them via an edit that I can’t even find now, but trust that it all flows nicely, powerfully together, with Hendrix rhapsodics to make even the gods cry, which leads to more rain, of course, more dreaming.” (Philip Random)

JimiHendrix-1968-live

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422. loving cup

Second of two in a row from Side Two of the Rolling Stones’ Exile on Main St. “The best side, I think. Or certainly the one I’ve listened to most over the ages. Some call it the country side, but I think roots is better, because it’s not all twang. In the case of Loving Cup, that means a piano driven sort of gospel groove that can’t help but celebrate all manner of wasted pleasures, like one of those parties that’s still going strong come noon the following day. So why stop now? I’d say it captures the decadent spirit of what went down at the mansion in the south of France through 1971, the Stones year in exile, but it was actually recorded in L.A. after all that. So let’s just say the spirit of it was still with them, finding its way out into the world.” (Philip Random)

RollingStones-1971-Nelcotte

423. Sweet Virginia

“On one level, Sweet Virginia is just another smart and nasty Stones ballad, gritty as the shit on your shoes. But given the album it’s from (Exile on Main St. maybe the best damned rock record of all time), it’s hard not to read more into it. Just the heroin weariness of it all, I guess, and what it says about the 1960s, what they’d promised and given, but also what they’d taken from those who dared partake. Like something out of Greek mythology, a special curse brewed up by the gods, and in some way or other, the whole culture was in on the partaking, even little kids just hanging around the edges, wanting in. That was me by the way. One of the kids. I wanted shit on my shoes, too.” (Philip Random)

RollingStones-1972-kid

424. whiskey in the jar

“I saw Thin Lizzy more than once back in the day, theoretically at their peak. But maybe it was the drugs, because they never really hit. Solid hard rock for sure, but nothing transcendent, nothing that made you want to go back to Church or whatever. Nothing like what they delivered on Whiskey in the Jar, one of their very first singles (which I’d only hear many years later), the old Irish folk song given full soul and throttle, so it ends up feeling as rich, as tragic as time itself. Because it’s not the whiskey that does you in. It’s the woman that drove you to it. Or the man.” (Philip Random)

ThinLizzy-1972-live

012. The Final Countdown*

Installment #12. of The Final Countdown aired Saturday-June-16-2018 (c/o CiTR.FM.101.9).

Youtube playlist (somewhat inaccurate).

The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a complex process that’s still evolving such is the strangely existential nature of the project: the 1297 Greatest Records of All Time right now right here, whatever that means. What it means is over a year of radio, if all goes to plan, and when has that ever happened?

TFC-012

Installment #12 of The Final Countdown* went like this.

1070. Temptations – masterpiece
1069. Blues Project – flute thing
1068. Simon & Garfunkel – we’ve got a groovey thing goin
1067. Prince – automatic
1066. Peter Hammill – the Institute of Mental Health [burning]
1065. Aphrodite’s Child – Aegean
1064. Howard Shore – The Black Meat
1063. Ill Gotten Gains – spirit of 67
1062. John Zorn – the little lieutenant of the loving god
1061. Shadows – wonderful land
1060. Bob Dylan – blue moon
1059. Ultramarine – saratoga (upstate mix)
1058. Keltic Electric – Wild Mountain Thyme
1057. My Bloody Valentine – loomer
1056. John Klemmer – third stone from the sun
1055. Animal Collective – Who Could Win a Rabbit
1054. Grateful Dead – cosmic Charlie
1053. DS Crew – frontier
1052. Todd Rundgren – healing [part 1]

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

425. Desperado

One of those comparatively early Alice Cooper cuts that puts the lie to it all being just kids’ comic book horror stuff, particularly the bit about being a killer, a clown, a priest who’s gone to town. That’s poetry. And all the more exquisite given the song that’s built around it, dark and moody, and more than just a little evil. From 1971’s Killer, the one that (back in the day) all the older kids said was Alice’s best album, way better than School’s Out. They were right.

AliceCooper-1971-hung

426. telephone + rubber band

“It’s true. We dropped our share of LSD in the 1980s, often as not up on mountaintops, miles from any electrical outlets. So we’d drag a blaster with us, because you had to have a soundtrack for all the strangeness and multiplicity. But what happened when we ran into normal folks? That’s where the Penguin Café Orchestra cassette came in handy. Right at the point where their faces were twisting to baleful scowls of judgment and disgust, we’d let drop easy acoustic textures incorporating fiddles, banjos, harmoniums, all manner of wooden gear that nevertheless floated strangely on the subliminal breeze. Although that Telephone + Rubber Band song did seem to confuse.” (Philip Random)

PenguinCafe-MASK

427. lawyers guns + money

Warren Zevon’s Excitable Boy got a fair bit of notice at the time, but we only ever heard a few tracks on the radio, and none of them was Lawyers Guns + Money, which is just a good old-fashioned smart, sly, cynical as f*** rocker about a rich kid off in some foreign locale, into something way over his head. Not unlike America itself at that particular moment in time, what with a recently lost war and all manner of other horrific sh** unfurling.

WarrenZevon-1978-crop

428. this town ain’t big enough for the both of us

“How dumb was America in 1974 (and Canada for that matter)? This Town Ain’t Big Enough For The Both Of Us, one of the fiercest, funniest, pop smart eruptions to ever get pressed to vinyl, didn’t make the singles charts, didn’t even crack the Top 100. In fact, no Sparks single ever charted in the entire decade of 1970s, their best. Thank God for friends and friend’s big sisters being somehow cool enough to find out about them anyway, and share the f***ing glory.” (Philip Random)

Sparks-1974