“It’s obvious now, but for some reason (maybe the Christmas themed video confused me), it didn’t really strike me at the time that The Power of Love was about AIDS, the holocaust that was currently tearing through the world’s male homosexual population (and beyond). Indeed, Frankie Goes To Hollywood‘s Holly Johnson, who sang and co-wrote it, would soon be infected and, in the belief of the time, fated to a slow horrible death from the vampire that had got in the door. Of course, last I looked, Mr. Johnson is still alive as are many who were once doomed (all hail, medical science), which doesn’t in any way detract from the power of Power Of Love – one of those rare songs about that most complex of four letter words, that doesn’t diminish it, doesn’t whore it for cheap emotions, maybe sell some flowers and chocolates on Valentines Day. And I think it’s very much because of that vampire line at the beginning, the truth it nails, figurative and otherwise.” (Philip Random)
These 12 Mixtapes of Christmas have got nothing to do with Randophonic’s other 12 Mixtapes of Christmas from two years ago, or even with Christmas (beyond being a gift to you). And they’re not actually mix tapes, or CDs for that matter – just mixes, each 49-minutes long, one posted to Randophonic’s Mixcloud for each day of Twelvetide (aka the Twelve Days of Christmas).
There’s no particular genre, no particular theme or agenda being pursued, beyond all selections coming from Randophonic’s ever expanding collection of used vinyl, which continues to simultaneously draw us back and propel us forward (sonically speaking) — music and noise and whatever else the world famous Randophonic Jukebox deems (or perhaps dreams) necessary toward our long term goal of solving all the world’s problems.
Bottom line: it’s five hundred eighty-eight minutes of music covering all manner of ground, from Roy Orbison to Curtis Mayfield to Can, Bob Dylan, Manfred Mann’s Earth Band, Kraftwerk, Nitty Gritty Dirt Band and beyond (and that’s just from the first mix) — anything and everything, as long as it’s good.
“1984 was Frankie‘s year (Goes To Hollywood, that is). Nobody had heard of them before. Nobody would ever really care about them after. The root of it, I figure, was a line from Two Tribes (which won’t be on this list because I’m assuming you’ve heard it). ‘Are we living in a land where sex and horror are the new gods?’ The land they were from was England, but given the degree of international success they had, it’s safe to say they were speaking of the whole mad Cold War world. Which would put the Pleasuredome everywhere, with the bombs about to fall, might as well get your kicks before the whole sh**house burned down (to borrow one from Jim Morrison). Or in the case of Frankie’s debut double album, spread all over the entirety of side one.” (Philip Random)