297. Queen Bitch

“A song with the word bitch in the title in 1971!? It wasn’t done (unless you were the Rolling Stones). And to be honest, I didn’t actually hear Queen Bitch until 1973. Just one more element of that tidal wave of brilliance and threat that kept coming our way with Mr. David Bowie‘s name attached in the latter part of the early 70s. Who was this stranger, this alien, this queen, this bitch? What the hell was going on? I was still fumbling around with puberty at the time. I believe it was exactly what I needed to hear.” (Philip Random)

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020. The Final Countdown*

Installment #20. of the Final Countdown aired in October 2018 (c/o CiTR.FM.101.9).

Selections available on this Youtube playlist (not exactly accurate).

The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is dozens of radio programs if all goes to plan, and when has that ever happened?

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Installment #20 of The Final Countdown* went like this.

915. Del Mar vs South Park – it’s gone
914. Marilyn Manson – Golden Years
913. Neil Young – for the turnstiles
912. Deerhoof – There’s A Kind of Hush All over the World
911. Queen – the night comes down
910. Wall of Voodoo – the passenger
909. Free – I’m a mover
908. Jimmy Castor Bunch – LTD [life truth + death]
907. Joe Cocker – feelin’ alright
906. Joy Division – the eternal
905. Alan Parsons Project – dream within a dream
904. Alan Parsons Project – The Raven
903. Cars – moving in stereo
902. Laurie Anderson – let x=x/it tango
901. The Orb – A Huge Evergrowing Pulsating Brain that …
900. Bob Dylan – you ain’t goin’ nowhere
899. Patti Smith – changing of the guards
898. Rickie Lee Jones – rebel rebel
897. Herbie Mann – push push

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

018. The Final Countdown*

Installment #18. of the Final Countdown aired October-13-2018 (c/o CiTR.FM.101.9).

Selections available on this Youtube playlist (not exactly accurate).

The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is dozens of radio programs if all goes to plan, and when has that ever happened?

TFC-018

Installment #18 of The Final Countdown* went like this.

953. Swirlies – house of pancake
952. Lykke Li vs Holy Ghost – I’m Good, I’m Ghost
951. Sly + the Family Stone – spaced cowboy
950. 10cc – art for art’s sake
949. Al Green – I Wanna Hold Your Hand
948. Blow Monkeys – sweet murder
947. Holger Czukay – der osten is rot
946. Bill Frisell – egg radio
945. Irving – I can’t fall in love
944. Slothomatic – starman
943. Dandy Warhols – Ohio
942. King Black Acid – always crashing in the same car
941. Jade Warrior – [funky] waves
940. Harold Budd + Zeitgeist – breathless
939. Receiver – O’Driscoll’s Curse
938. David Bowie – African Night Flight
937. Can – transcendental express
936. War – gypsy man
935. Brian Eno – Some Words

The numbering was off on-air, but it’s correct here.

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

361. heroes-helden

Yeah, yeah, yeah, you’ve heard Heroes a million times already. But have you heard the German/English edit that showed up on the soundtrack for Christianne F, the most depressing movie ever?  There’s just something about what that complex language does to Mr. Bowie’s delivery, the deeper, more wrenching depths of soul and enunciation, how it gets you right to the heart of what was then still a divided city – two opposed universes of politics and animosity grinding up against each other. Forever. Or so it felt at the time.

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407. big brother + chant of the ever circling skeletal family

“As the story goes, David Bowie’s first post-Ziggy Stardust album was supposed to be a musical adaptation of George Orwell’s 1984, but he couldn’t secure the rights, so it morphed into Diamond Dogs which was its own weird, extreme thing with a few explicitly 1984 songs included in the mix, including the climactic Big Brother that manages to get quite epic before things go deeply off kilter with the Chant of the Ever Circling Skeletal Family. Which is not just some b-grade horror stuff. It’s real. I’ve heard that infernal family, while deep inside the wrong kind of acid trip, the ‘I’m Dead’ kind, the kind you just want to end, but it goes on for millions of years, with all these wraith-like forms howling at you forever, because you’re dead, you died, this is what comes next. Which I suppose is relevant to 1984. What it feels like to get stomped in the face with a boot. Forever. Great music though.” (Philip Random)

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416. cracked actor

 

David Bowie at his rawest, glammest, most rockingest. The time I saw him do Cracked Actor live, he sang it to a skull, a cracked actor indeed. Or was he an alien? Aladdin Sane being the last of Ziggy albums that wasn’t all cover tunes. Either way, it was a harder rock than pretty much anyone was delivering at the time, except maybe Iggy and Stooges  … and almost nobody knew they even existed.” (Philip Random)

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12. reSEARCH

An Admission of Headroom, installment #12 of The Research Series aired June-17-2018 on CiTR.FM.101.9.

The twelfth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

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12. an admission of headroom

Bob Marley – soul rebel
Jane Birkin + Serge Gainsborough – Jane B
Mahavishnu Orchestra – you know you know
Beatles – sleeping vibes
Eno + Byrne – come with us
David Pritchard – an admission of guilt
FM – headroom “reflections”
King Crimson – sailor’s tale
Giorgio Moroder + David Bowie – the myth
Propaganda – the last word [strength to dream]
Klaatu – across the universe in eighty days
King Crimson – Prince Rupert’s coda
Neu! – e-musik [part 2]
Randophonic – Oyster Bay [excerpt]

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.

449. it’s no game [part 1]

David Bowie hits the 1980s in powerful form with Scary Monsters, blows minds and fuses across all known dimensions. But then that’s pretty much it. He’ll sell piles of records through the decade, make the cover of TIME magazine, and everything else for that matter… but he’ll never be truly monstrous or scary again. Which is either A. damned sad, or B. whatever.  I mean, it’s not as if he hadn’t already given us way more than enough through the 1970s, from collapsing the hippie dream to unleashing his own personal alien glam supernova, onward unto cocaine bullshit, decadence, everything. But he always kept his cool even as he lost his mind. Did any other single artist come even close? Definitely no game.” (Philip Random)

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474. here comes the night

Pin-Ups, the last of the Ziggy-era Bowie albums, was an all covers affair, in which the thin, strange alien paid tribute to the musical heroes of his youth. As a whole, the album’s not his greatest, feeling pretty tossed off overall. But the take on Here Comes The Night is superb. Loud and brash, a full-on show-stopper that at least matches the original. Which is pretty amazing when you consider Van Morrison sang that. How often has he been equaled?

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