169. Sister Morphine

Marianne Faithfull’s take on Sister Morphine is probably the best Rolling Stones record ever that most people haven’t heard, even if it’s not Mick singing and it’s not technically the Stones. Because Mick is apparently playing some guitar (along with Ry Cooder) and that’s Charlie on drums. Who knows where Keith is?  Probably on the nod. Which drives home the point. Marianne Faithfull gets the credit and she deserves it all the way, but Sister Morphine is very much a 1969 Stone-truth being imparted. It’s not the Summer of Love anymore. The drugs have gotten too heavy. Souls are being crushed. None of this is going to end well.

MarianneFaithfull-1969

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398. terror couple kill colonel

An early single provides strong evidence that Bauhaus were far more than just a goth outfit (the term didn’t even exist until after they’d split up). What they were was smart, innovative, never remotely boring, with Terror Couple Kill Colonel working all manner of studio exploration to get seductively under the skin, into the blood.

Bauhaus-1980-club

646. King of the Rumbling Spires

Apparently this is the first time Marc Bolan really rocked out on record. The band was still called Tyrannosaurus Rex at the time, and despite the name, a comparatively lightweight outfit – too much flowers and fine herbs, not enough thunder and rumbling. But that had to change. The 1970s were looming, the acid was wearing off, the hippie dream was much further away than it had previously seemed. Maybe it had never been there at all. Just another storybook fantasy.

TyrannosaurusREX-1969

648. indication

The story on the Zombies is that they’d broken up before their best stuff was ever even released. A classic case of being too far ahead of the curve as a track like Indication indicates, a pumped up ride with some killer keyboards at the heart of it all, and all months before the Beatles had gotten around to releasing Revolver. The upside being that we’ve never really grown tired of it.

Zombies-1966

698. death of a clown

Dave Davies being an original Kink, Death of a Clown being a darned fine single that featured big in the British version of the Summer Of Love. But I wouldn’t really notice it until at least the mid 1990s, working through my personal grunge aftermath where I’d listen to pretty much anything that wasn’t heavy, angry and in need of a clean shirt. Clown first showed up on a mixtape care of former roommate Dale, who stuck it right next to some John Coltrane, as I recall. The mid-90s were like that.” (Philip Random)

DaveDavies-1967

742. celebration

In which that band from Ireland (still not quite a household name), make it very clear what they believe in: the atomic bomb, the powers that be and the halls of Christ’s Church.  All worth celebrating apparently.

u2-1982