“I don’t care what all the charts were saying at the time, by 1979 the Rolling Stones were nowhere, and accelerating hard to oblivion. Certainly on record. Which makes Why D’ya Do It? the last truly great Rolling Stones record, even if they had nothing to do with it beyond Marianne Faithfull being Mick’s ex from way back. Which is the connection, I think. Because this does sound like proper Stones rocker, the way she spits the kind of bile the Stones would have still had in them if they hadn’t f***ed up on heroin and indulgence. In other words, YEAH! Why D’Ya Do It? is raunchy and vindictive and unrepentant and f***ing dirty in all the right ways. Seriously. Imagine Mick Jagger singing it in say 1972, part of the Exile on Main St. sessions. You know it would have kicked serious shit. But Ms. Faithfull’s take would still be better. And the whole Broken English album is essential, one of the very best of 1979, or any other year for that matter.” (Philip Random)
Marianne Faithfull’s take on Sister Morphine is probably the best Rolling Stones record ever that most people haven’t heard, even if it’s not Mick singing and it’s not technically the Stones. Because Mick is apparently playing some guitar (along with Ry Cooder) and that’s Charlie on drums. Who knows where Keith is? Probably on the nod. Which drives home the point. Marianne Faithfull gets the credit and she deserves it all the way, but Sister Morphine is very much a 1969 Stone-truth being imparted. It’s not the Summer of Love anymore. The drugs have gotten too heavy. Souls are being crushed. None of this is going to end well.
The ninth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.
09. All Worlds
Dub Syndicate – out + about [Modesty edit]
African Head Charge – hold some more
Beans – all worlds [frag]
Rolling Stones – 2000 light years [frag]
Jackie-O Motherfucker – 777 tombstones 
Simple Minds – this earth that you walk upon
Simple Minds – league of nations
Marianne Faithfull – guilt
Annexus Quam – osmose-B
Spirit – feeling in time
Stone Roses – something’s burning
Sonic Youth – expressway to yr skull [part 2]
Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.
In which Marianne Faithfull takes a then obscure song written by the same guy who gave us Boy Named Sue and Cover of the Rolling Stone and delivers what some have since hailed as a feminist anthem. Philip Random remembers it first really grabbing him via the movie Montenegro “… that I tend to assume everyone’s seen but hardly anyone actually has. It’s the one where Susan Anspach, wealthy housewife, bored to the point of insanity, finally just bails one day, splits suburbia and her husband and kids, and somehow ends up hanging with some savage eastern European types still playing out blood feuds older than recorded history. It’s a strange movie, disorienting, intense. Anyway, the Ballad Of Lucy Jordan is the song that sends her on her weird journey, inspires her. Finally, she will return to her happy family, except (spoiler alert) the fruit was poisoned.”
“Marianne Faithfull‘s Broken English being one of the best albums of 1979 (or any other year for that matter), Guilt being a track that made no sense to me at first. I thought she was saying she felt ‘good’. Why so exquisitely gloomy then? Was it some twisted junkie thing I needed heroin in my veins to figure out? Then I bought the album and read the title, and there it was: Guilt. Which reminds me of sage wisdom c/o old friend Jill. Guilt is easy to avoid. Just don’t do that thing that you know you’ll end up feeling guilty about. Words to live by.” (Philip Random)