763. we’ve got a bigger problem now

https://www.youtube.com/watch?v=btPuTlCYiSo

“I cannot tell a lie. The first time I heard the name Dead Kennedys, it kind of took my breath away. I didn’t say anything out loud or anything, but I liked the Kennedys, was old enough to remember the assassinations of both JFK and RFK. And now here was this punk band exploiting them. Not that I really even listened to the music. It was just trash and exploitation, right? With a name like that! It took 1981’s In God We Trust EP to finally set me straight, particularly We’ve Got A Bigger Problem Now (which I later discovered was a reworking of California Uber Alles from their first album). It was the lounge bit at the beginning that hooked me, the part about happy hour being enforced by law, and a jar of Hitler’s brain juice in the back, and Emperor Ronald Reagan born again with fascist cravings. Welcome to the future. Ready or not.” (Philip Random)

DeadKennedys-1981

764. pigs [three different ones]

Speaking of Pink Floyd, come 1977, they’d become the defacto poster children for all that pompous, bloated, overblown and wrong with the so-called Prog Rock that Punk was supposed to be annihilating. Which made the album Animals a source of much confusion, because it was so full of uncompromising bile and rage, it would’ve been punk rock if the songs weren’t so long. Pigs gets singled out here for the sheer violence of the instrumental parts, like the worst of dreams. You wake up to air raid sirens. You look skyward into the night, catch a glimpse of a pig the size of a football field, with red laser eyes, and they’re fixed on you. Welcome to 1977. The future looked grim.

(photo: Erich Biruk)

765. Atom Heart Mother [the groovy part]

“The title’s cool. Atom Heart Mother. Doesn’t get much heavier than that. But it’s the cow that grabbed me, which I first saw as a poster in a record store when I was maybe twelve. No group or album name. Just this cow gazing cowlike from its green field.  I didn’t get it, but I guess it got me. Later, a friend told me it was Pink Floyd, who I’d heard of but never actually heard (this being a two or three years before Dark Side of the Moon would become as common as allergies in springtime). ‘They’re acid rock,’ said my friend, which instantly meant extreme. Because acid could eat metal, right?  But then I actually heard Atom Heart Mother and it was more weird than anything, like a symphony, except it was a rock band, with space ships in the distance, and then choirs and things. No metal being eaten anywhere, unless that’s what the cow was doing, calm, significant, like a Hindu god. I particularly liked the groovy part in the middle.” (Philip Random)

PinkFloyd-atomCOW

 

766. I’m Tired

In which Savoy Brown emerge from the depths of their trad-blues commitments to deliver a uniquely laid back but strong 1969 truth – a time when, if you were properly cool, you had very long hair, smoked a lot of dope, and didn’t mince words when it came to your opinion on the f***ed up state of the world, man.

SavoyBrown-1969

767. psychotic reaction

https://www.youtube.com/watch?v=kPquiPTdO-k

In which Nash the Slash does full justice to John Hinkely’s undying devotion to Jodie Foster. It may not be the best version of Psychotic Reaction out there, but it is the only one by a one man band who played electric mandolin and violin and never went on stage unless wrapped up in mummy-bandages.

NashTheSlash

768. caribou

“Track one, side one from the first Pixies album, Come on Pilgrim. I even heard it at the time but I was more into noise in those days. I needed things falling apart, a soundtrack for the corrosion inherent in my late 80s worldview. Then maybe eight years later, couch-surfing in Berlin, a half-condemned building east of where the Wall had been, I stumbled upon a beat up Eastern Block bootleg copy, left over from those grey and perilous days. I was finally ready.” (Philip Random)

Pixies-1987