Tag Archives: Peter Gabriel

34. The Solid Time Of Change

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Installment #34 of the Solid Time of Change aired on Saturday April-1-2017 (c/o CiTR.FM.101.9).

Podcast (Solid Time begins a few minutes in). Youtube playlist (somewhat inaccurate).

The Solid Time of Change is our overlong yet incomplete history of the so-called Prog Rock era – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.

solid-crop-34

Part Thirty-Four of the journey went as follows:

  1. Pink Floyd – pow R toc H
  2. Roxy Music – Virginia Plain
  3. Strawbs – autumn
  4. Strawbs – hero and heroine
  5. Al Stewart – Nostradamus
  6. Genesis – cinema show
  7. King Crimson – trio
  8. King Crimson – fracture
  9. Black Sabbath – Sabbath Bloody Sabbath
  10. Sally Oldfield – water bearer
  11. Sally Oldfield – Songs of the Quendi
  12. Sally Oldfield – mirrors

Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook page.

845. pengosekan

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Vic Coppersmith-Heaven (now there’s a name) was a sound guy, producer, engineer (big in the early days of punk and before), who somewhere along the line, got his own thing going, tripping out some very earthbound grooves and sounds, including working with a certain monkey chant (from both beyond and before time) indigenous to the Indonesian backwoods. “I found Pengosekan on on 1982’s Music + Rhythm, a fundraiser for Peter Gabriel’s WOMAD Festival and, in retrospect, one of my essential compilation albums of the decade. So-called World Music started there. At least, it did for me.” (Philip Random)

18. The Solid Time Of Change

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Part eighteen of the Solid Time of Change aired Saturday October-8-2016 c/o CiTR.FM.101.9.

Youtube playlist (not entirely inaccurate).

This continues to be Randophonic’s main focus, our overlong yet incomplete history of the so-called Prog Rock era (presented in countdown form) – 661 selections from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.

solid-crop-18b

Part eighteen of the journey went as follows:

  1. Frank Zappa + The Mothers – cheepnis
  2. Frank Zappa + The Mothers – Son of Orange County
  3. The Nice – dawn
  4. The Nice – America
  5. Jethro Tull – bouree
  6. Gryphon – second spasm
  7. Gentle Giant – in a glass house
  8. Gong – other side of the sky
  9. Gong – sold to the highest Buddha
  10. Gong- castle in the clouds
  11. Gong – prostitute poem [excerpt]
  12. Gong – oily way
  13. Gong – outer + inner temple
  14. Peter Gabriel – Down the Dolce Vita
  15. Peter Gabriel – slowburn
  16. Peter Gabriel – white shadow
  17. Genesis – one for the vine

Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook.

937. disruption in world communication

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Synergy was one man, a guy named Larry Fast who, when he wasn’t working with the likes of Rick Wakeman, Peter Gabriel, Nektar, FM, was inventing the future via his devotion to synthesizer technologies. 1978’s Cords is one of those albums that still manages to sound rather ahead of things. Peter Gabriel gets credit for helping with some of the titles, and none better than Disruption in World Communication. Because yes, this is exactly what it ends up sounding like when we humans cease communicating with each other. Genuinely scary stuff.

synergy-cords

953. I don’t remember

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“Peter Gabriel’s third album was a world changer for me, a 1980 call-to-arms from a guy who’d done more than his share to help define the 1970s. Which in retrospect was an all too rare phenomenon – a 1970s player who didn’t mostly just embarrass themselves in the next decade. What did Gabriel have that so many didn’t (including his own fellow band members, regardless of record sales)? If I had to narrow it down to one thing, I’d say curiosity. He had no interest in sticking with what he already had going. He wanted more. Not in terms of money, fame, whatever – but understanding. Or in the case of I Don’t Remember, enlisting the likes of Robert Fripp to unleash the right kind of heavy and relevant confusion.” (Philip Random)

petergabriel-remember

960. fly on a windshield + Broadway Melody of 1974

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Two songs that more or less fuse into one from that oft forgotten era when the band known as Genesis weren’t just considered cool and relevant, they had the keys to the underground. In fact, they had a whole concept album about the place called The Lamb Dies Down on Broadway wherein a Puerto Rican street punk named Rael gets caught up in a local apocalypse (like a fly on a windshield) and next thing he knows, he’s trapped in dense labyrinthine depths that will take him the better part of four sides of vinyl to reconcile. In other words, it’s the early Genesis at the absolute peak of their ambitions (if not their attainments) and Peter Gabriel’s final album with the band. Though both would go off to achieve mega levels of success on their own, neither would ever again come close to the sheer weird edge cutting heights (depths?) they achieved here.