280. don’t leave me this way

“Call it bad timing. Disco erupted as I was finishing high school, jammed up all the available radio stations, transformed all the nightclubs (just as I finally had good, foolproof fake ID). Sure it probably served some greater service to the culture as a whole, gave all the former hippie freaks and rebels something to do in the wake of their failed revolutions and insurrections – just snort coke, shake their booties, lay the groundwork for yuppiedom, Reaganomics, Tom Cruise. Yeah, I blame disco for all of that. But I always liked Don’t Leave Me This Way. Thelma Houston had the big hit but nothing touches what Harold Melvin and the Blue Notes did with it, particularly the long version. Though that was actually Teddy Pendergrass singing lead. Things were a little confused in that outfit.” (Philip Random)

HaroldMelvin-1975

307. if I can dream

“When Elvis (aka The King) died in 1977, John Lennon was smugly heard to observe that he’d already been been dead for almost twenty years — ever since he joined the army back in 1958. But I give him another ten years, to 1968 and the big deal comeback TV special on NBC.  Martin Luther King and Bobby Kennedy had just been shot, the Vietnam war had officially gone to hell, the Beatles hadn’t played live for years. But Elvis wasn’t worried.  He had a secret weapon for the show’s finale, a brand new song written by a guy named Earl Brown called If I Can Dream. ‘I’m never going to sing another song I don’t believe in,’ said Elvis when he first heard it, ‘I’m never going to make another movie I don’t believe in.’ And yeah, Elvis did deliver on NBC, a performance that reached deep through the strange vacuum of the cathode ray tube and touched the hopeful soul of all humanity, maybe even saved the world. But then he proceeded to eat doughnuts, sing awful songs, make worse movies, and finally died nine years later, alone, sitting on a toilet. Poor guy. The King of Need, the Residents called him.” (Philip Random)

Elvis-1968-smokin

319. dogs

https://www.youtube.com/watch?v=qiaF4kuxJco

Dogs is the epic Pink Floyd track that you couldn’t put on when you and your high school friends all got high. You’d get maybe three minutes in and some idiot would say, ‘Let’s hear side one of Dark Side instead. It’s so cool when all those clocks go off.’ I came to really hate Dark Side because of those morons. Still do (sort of), or maybe I’m just allergic to it. I have none of that trouble with Dogs and its withering 17 minute rip into all things corporate, capitalist, evil. And the thing is, it found eighteen year old me at a pivotal moment, forced a consciousness that I’d been flirting with anyway. Something to do with just saying NO to every greed and conformist based assumption I’d been fed by every parent, teacher, coach, priest, expert I’d ever encountered. They’re all wrong, it shouted. Do what they say and you’re already dead, dragged down by a stone. Or as my friend Motron put it, Dogs is punk rock on acid, then slowed way down … but in a good way.” (PR)

(photo: Phillipe Gras)

341. poet for sale

It doesn’t get much hippier or dippier than this, Daevid Allen, (ex-Gong and Soft Machine) hair no doubt down to his ass, plucking away on an acoustic guitar on some remote commune, everything smelling of patchouli, waxing loose and cosmic on various things relevant to the plight of the poet in modern times. Except he suddenly starts to bite at the end. Like he’s been doing a Rip-Van-Winkle for the past decade, but he’s suddenly snapped awake, and holy shit, it’s 1977, punk rock’s erupting off in the distance, and this anger stuff, it feels good, it feels vital. It actually makes him happy.

DaevidAllen-1977-live

361. heroes-helden

Yeah, yeah, yeah, you’ve heard Heroes a million times already. But have you heard the German/English edit that showed up on the soundtrack for Christianne F, the most depressing movie ever?  There’s just something about what that complex language does to Mr. Bowie’s delivery, the deeper, more wrenching depths of soul and enunciation, how it gets you right to the heart of what was then still a divided city – two opposed universes of politics and animosity grinding up against each other. Forever. Or so it felt at the time.

DavidBowie-ChristianeF

366. will to love

“It’s 1977 and punk rock may be erupting but Neil Young‘s gone strangely, evocatively ambient … for one song anyway, all heartfelt yearning and fireplace hisses and crackles. Will To Love being an example of a unique artist at the peak of his powers doing something the’s never really done before so well that he’ll never really have to do it again. Found on American Stars And Bars a mish-mash of an album that also includes Like A Hurricane and some pretty much straight up Country stuff, making it a more or less perfect evocation of one man’s confusion. And don’t kid yourself, everybody was confused in 1977.” (Philip Random)

NeilYoung-1977-pool