Podcast (Solid Time begins at around the 4 minute point). Youtube playlist (incomplete and probably inaccurate).
This continues to be Randophonic’s main focus, our overlong yet incomplete history of the so-called Prog Rock era (presented in countdown form) – 661 records from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.
Part fifteen of the journey went as follows:
Jethro Tull – living in the past
Blodwyn Pig – see my way
Strawbs – down by the sea
Black Sabbath – wheels of confusion / the straightener
Goblin- Suspiria Theme
Quiet Sun – sol caliente
Quiet Sun – bargain classics
Jade Warrior – monkey chant
Pentangle – light flight
Gentle Giant – think of me with kindness
Gentle Giant – the advent of Panurge
Genesis – riding the scree
Aphrodite’s Child – loud loud loud
Aphrodite’s Child – Aegean
Neil Diamond – be
Pink Floyd – Grantchester meadows
Pink Floyd – several species of small furry animals gathered in a cave …
Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook
Podcast (Solid Time begins at around the 5 minute point). Youtube playlist (incomplete and probably inaccurate).
This continues to be Randophonic’s main focus, our overlong yet incomplete history of the so-called Prog Rock era (presented in countdown form) – 661 records from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.
Part thirteen of the journey went as follows:
Emerson Lake + Palmer – hoedown
Raspberries – overnight sensation (hit record)
Electric Light Orchestra – Mission [a new world record]
Electric Light Orchestra – dreaming of 4000
Queen – Seven Seas of Rhye
Queen – my fairy king
Barclay James Harvest – mockingbird
Cat Stevens – miles from nowhere
Doobie Brothers- clear as the driven snow
Camel- song within a song
Camel – another night
FM – black noise [part-1]
FM – headroom exerpts
David Pritchard – an admission of guilt [excerpt]
FM – black noise [part-2]
Peter Hammill – dropping the torch
Strawbs – lay a little light on me + hero’s theme
Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook.
This continues to be Randophonic’s main focus, our overlong yet incomplete history of the so-called Prog Rock era (presented in countdown form) – 661 records from 1965 through 1979 with which we hope to do justice to a strange and ambitious time indeed, musically speaking.
Part twelve of the journey went as follows:
Yes – America
Yes- a venture
Strawbs – midnight sun
Renaissance – can you understand?
Soft Machine – hope for happiness
Soft Machine – why are we sleeping?
King Crimson – epitaph
King Crimson- exiles [live]
Guru Guru -oxymoron [immer middle]
Bill Bruford – Sahara of snow [part-1]
Bill Bruford – fainting in coils
Vangelis – to the unknown man
Fresh episodes air pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours via our Facebook.
Also known as as the 661 Greatest Records of the so-called Prog Rock era, the Solid Time of Change is Randophonic’s latest countdown — an overlong yet incomplete history of whatever the hell happened between 1965 and 1979 – not in all music, not even in most of it, but definitely in a bunch of it.
What is Prog Rock? Is it different from progressive rock, or for that matter, rock that merely progresses? Four programs in and sixty-five selections down and you’d think we’d have a solid answer to these questions, but like the proverbial zoom into an old photograph, the closer we look, the murkier things get. Which isn’t to say the music isn’t great and thus, here’s to the best kind of confusion and a year’s worth of radio to figure it all out.
Part four of our journey went as follows:
Focus – harem scarem
Frank Zappa + The Mothers – Inca Roads
Strawbs- tomorrow
Rick Wakeman – Catherine of Aragorn [+ excerpts]
Rick Wakeman – Anne of Cleves
King Crimson – moonchild (part 1)
Moody Blues – the word
Justin Hayward + John Lodge – nights winters years
Sweet – love is like oxygen
Procol Harum – Grand Hotel
Klaatu – prelude
Klaatu – so said the lighthouse keeper
Klaatu – hope
Gentle Giant – Mister Class + Quality
Gentle Giant – three friends
Steve Hillage – om nam Shivaya
Steve Hillage – hurdy gurdy glissando
Cream – as you said
Installment #5 of The Solid Time of Change airs Saturday, June 4th at 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and download options available within twenty-four hours.
Part Two of Randophonic’s three part celebration of the 40th anniversary of 1974 aired December 6th, on CiTR.FM.101.9.
Here it is in two Mixcloud streams.
And the Movie of the Week — Queen – Modern Times Rock + Roll
The podcast of the full program is available for download here …
Think of it as an at least halfway cool radio program from forty years ago playing not the popular stuff from the year, but the important stuff — the true wild and innocent sounds that kept the flesheating robots at bay for another three hundred days or so. Brian Eno gets a lot of play because he released his first two solo albums in 1974 (and they, of course, changed everything forever). Otherwise, it’s a whole lotta everything, legendary and cool.
Brian Eno – needles in the camel’s eye
It hits you like a wall of solid pop. Powerful and beautiful.
A smart, sophisticated rocker from the band Eno had just left. Which raises the question. What would have happened if he’d stayed? What wouldn’t have happened? Would Richard Nixon even have had to resign?
Where was David Bowie in 1974? A decade ahead of things in the year of the Diamond Dogs. Big Brother is supreme. Everybody loves him. And why shouldn’t they? Even monsters can be beautiful.
A single that didn’t really chart anywhere yet went a long way toward inventing the future sounds of punk, new wave etc. And it has yodeling.
Brian Eno – Third Uncle
It starts as a direct rip-off of Pink Floyd’s One of These Days. By the time it’s over, it’s found an entirely other galaxy
Badfinger – just a chance
From their last album before the suicides started — the one that’s jammed with solid pop rock gems, but for whatever reason, got yanked from all the stores almost immediately after its release.
Strawbs – hero and heroine
Title track from another one of those shoulda-woulda-coulda-but-didn’t albums. Maybe Dave Cousins voice was just too weird, because you can’t blame all those mellotrons and angels amped way high in the mix.
The groove’s a killer. The production is pure drama. The lyrics don’t seem to be about anything. Where’s John Lennon when you need him?
Can – chain reaction
They’d just lost Damo Suzuki to the ozone or wherever. But they didn’t seem to mind, just kept working the infinite groove, pretty much inventing techno trance more than a decade ahead of schedule without realizing it.
Van Morrison – you don’t pull no punches but you don’t push the river
The true heart of Celtic soul gets laid bare here, epic and wise. You gotta learn to spot the difference between a foe you can knock down and a force of nature you best just go with, bound for great oceans and who knows what treasures on distant unseen shores?
Gram Parsons – 1000 dollar wedding
About as sad as sad songs get. And then he OD’ed on heroin.
Mr. Zimmerman enters the truly good part of his 1970s, and he’s definitely in a mood.
Anne Peebles – I can’t stand the rain .
It always rains too much. Why should 1974 be any different?
QUEEN – MODERN TIMES ROCK + ROLL (the Movie of the Week)
An almost one hour mix of Queen at the very beginning of their muchness. Their first album (Queen 1) was released in 1973 but nobody heard it until 1974.
And by the end of 1974, we had two more to perplex and astonish us (Queen II + Sheer Heart Attack).
And confusing indeed it all was — a strange zone where Led Zeppelin and the Beach Boys seemed to hold equal measure, and everything in between. Or as Philip Random puts it. “Strange wild changes, absurd operatics, serious raunch, nymphs and ogres, black queens, white queens, Jesus Christ himself, fathers and sons, tenement funsters, lilies of the valley, tatterdemalions and junketers. Bohemian Rhapsody was still over a year away and who needed it anyway? It was all there already. And if you were fifteen year old me, you ate it up. Because it NEVER got any better than those first three albums and their Modern Times Rock’n’Roll … for lack of a better term.”