016. The Final Countdown*

Installment #16. of the Final Countdown* aired in September 2018 (c/o CiTR.FM.101.9).

Selections available on this Youtube playlist (somewhat inaccurate).

The Final Countdown* is Randophonic’s longest and, if we’re doing it right, most relevant countdown yet – the end of result of a rather convoluted process that’s still evolving such is the existential nature of the project question: the 1297 Greatest Records of All Time right now right here. Whatever that means. What it means is dozens of radio programs if all goes to plan, and when has that ever happened?

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988. Psychic TV – IC water
987. Alice Cooper – The Man With The Golden Gun
986. Stan Ridgway – the big heat
985. Negativland – vacuum cleaner + guitar
984. Matthew Dear – get the rhyme right
983. Basement Jaxx – Distractionz
982. Human Drama – The Carpet Crawlers
981. Dukes of Stratosphere – the mole from the Ministry
980. John Lee Hooker – pots on, gas on high
979. Stooges – no fun
978. The 3 Heads – Warning
977. Prince Buster – One Step Beyond
976. Flowchart – lovefingers
975. Clash – the equaliser
974. African Head Charge – African hedge hog
973. Sleigh Bells – Ring Ring
972. Guru Guru – oxymoron [immer middle]

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

13. reSEARCH

The Need, installment #13 of The Research Series aired June-24-2018 on CiTR.FM.101.9.

The thirteenth of a planned forty-nine movies, each forty-nine minutes long, featuring no particular artist, theme or agenda beyond boldly going … who knows? Or as Werner Von Braun once put it, “Research is what I’m doing when I don’t know what I’m doing.” And we definitely have no idea where all this will take us.

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13. The Need

Clash – if music could talk
Jimi Hendrix – stone free again
John Martyn – I’d rather be the devil [part 2]
Brian Eno + Jah Wobble – spinner
African Head Charge – crocodile shoes [excerpt]
Sun Ra – exotic forest
Drome – hinterland
Minutemen – you need the glory
David Pritchard – the march of Mallory Bat
CTI – the need
Simple Minds – brass band [2]

Further installments of the Research Series will air most Sundays at approximately 1am (Pacific time) c/o CiTR.FM.101.9, with streaming and download options usually available within twenty-four hours via our Facebook page.

 

005. The Final Countdown*

Installment #5 of The Final Countdown aired Saturday-April-14-2018 (c/o CiTR.FM.101.9).

Tracks available on this Youtube playlist (somewhat inaccurate).

The Final Countdown* is our longest, most random and (if we’re doing it right) relevant countdown yet. Which doesn’t mean we’re one hundred percent clear as to what it’s all about – just the end of result of a long and convoluted process that finally evolved into something halfway tangible a month or so ago. The 1297 Greatest Records of All Time right now right here, if that makes sense. And even if it doesn’t, we’re doing it anyway for as long as it takes, and it will take a while.

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Installment #5 of The Final Countdown* went like this.

1211. Negativland – The Playboy Channel
1210. LCD Soundsystem – yeah [crass mix]
1209. Residents – suburban bathers
1208. Orchestral Manoeuvres in the Dark – messages
1207. Ulrich Schnauss – on my own
1206. Love + Rockets – lazy
1205. Dr. John – Danse Kalinda Ba Doom
1204. Harmonium – un musicien parmi tant d’autres
1203. Gary Wright – love is alive
1202. Art Ensemble of Chicago – funky AECO
1201. Mothers of Invention – dog breath in the year of the plague
1200. Mothers of Invention – Montana
1199. Waterboys – nobody ‘cept you
1198. All Mighty Whispers – Love Revolution
1197. War – seven tin soldiers [the middle jam]
1196. Clash – junko partner [and dub]
1195. Fiery Furnaces – one more time
1194. Flying Lizards – in my lifetime
1193. Flying Lizards – glide-spin
1192. Simple Minds – seeing out the angel

Randophonic airs pretty much every Saturday night, starting 11 pm (Pacific time) c/o CiTR.FM.101.9, with streaming and/or download options usually available within twenty-four hours via our Facebook page.

 

691. the call up

“Have I raved enough yet about how indispensably, imperfectly essential the Clash’s Sandinista is? Probably not. Three slabs of vinyl, thirty-six songs, jams, dubs, meltdowns, whatever you want to call them. Not World Music so much as what the world actually sounded like in 1980-81, including war, here-there-everywhere, young men being called up, sent off to do and die. Which is what The Call-Up‘s about (from about halfway through Side Four). Don’t go, young man. Don’t fall for the patriotic bullsh** of old men whose blood won’t be doing the spilling. Remember that rose you want to live for.” (Philip Random)

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740. brand new Cadillac

“Is there a bad track on London Calling? Is there an average track on London Calling? Brand New Cadillac is neither, of course. Brand New Cadillac is The Clash tearing through an old Vince Taylor b-side, unleashing the kind of old school rock and roll fervor that Bruce Springsteen could only dream of.” (Philip Random)

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745. Now is the Time

It took samplers a while to get cheap enough to fall into the hands of sort of folks who could figure out how to truly make them sing, with Greater Than One (mostly long forgotten now) one of the first to get what now seems bloody obvious. That is, take Martin Luther King’s I Have A Dream speech, add an opera sample or two, plus various odd ball sound effects, even some Sandinista era Clash and Brain Salad Surgery Emerson Lake + Palmer, then just lay everything over some cool grooves and call it a song. And the thing is, it worked brilliantly, it humanized the machinery, and it abruptly reinvented the music of the near future as an impossibly odd and yet beautiful Frankenstein’s monster of possibilities wherein the entirety of recorded history was just lying there, waiting to be treated, twisted, appropriated, manipulated, abused and exploited. But then, of course, the f***ing lawyers got involved.

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983. street parade

Second of two in a row from side five of Sandinista! (the Clash’s longest album, if not its best). “To say it was a hard sell to many of their early fans is the definition of understatement. It Was Hated (and still is by some) for being all the things that was truly great about it, which is to say, driven by the ultimately punk attitude of saying f*** it, London Calling’s made us bigger than we ever dreamed of being, let’s see how far we can push things by just diving into the music, all music, anything that interests us, the whole mad street parade. In my particular case, the arrival on the local Terminal City scene of some genuinely strong and clean LSD probably assisted in my seeing things in this regard.” (Philip Random)

984. Kingston advice

First of two in a row from side five of Sandinista, the Clash’s largest album if not its best. London Calling gets all the glory, of course, but there is a serious argument to be made that Sandinista is every bit its equal if only for all the tangents it explores – dubs, re-dubs, versions, visions. As if these four guys (and their various studio compadres) somehow managed to digest the whole weird, wild, primed-to-explode world of 1980 and jam it into six long playing sides of vinyl – not world music so much as what the world actually sounded like. Must be a clash – there’s no alternative.

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1026. Radio Clash

1981 was a pretty brilliant year if you were an open-minded Clash fan. Between London Calling and Sandinista, they’d just released ten sides of genre bending, ever expanding, often superlative vinyl in barely more than a year. So when Radio Clash (the single) appeared in four different versions, all dubbed up and dance floor ready, there was no reason to doubt what was being promised. Hell yeah! Their next move would be to launch a pirate satellite so the world would finally have all cool radio All The Time. If you dropped enough of the ole lysergic, it felt very possible. Maybe even likely.” (Philip Random)